Donald Byrd

American jazz trumpeter, composer, bandleader and educator
Born December 9, 1932 in Detroit, Michigan, USA
Died February 4, 2013 in Dover, Delaware, USA (aged 80)
Byrd attended Cass Tech, where he studied classical music and was mentored by the band director Harry Begian, a disciplinarian. He played trumpet in military bands during a stint in the Air Force from 1951–1953, before graduating from in 1954 with a music degree. Like other young Detroit jazz musicians, he also studied with bebop pianist Barry Harris.
Byrd's warmly burnished sound, fluent technique and aggressive-yet-graceful swing was rooted in the style of Clifford Brown, but his gangly, rhythmically loose phrasing was a unique calling card right from the start. As Byrd matured in the late 1950s and early 1960s, he tempered his hummingbird flourishes with a cooler sensibility and phrasing.
Byrd recorded prolifically in the 1950s mainly as a sideman, but also as leader, appearing on scores of recordings on the,, and labels. He led a quintet with his old friend from Detroit, baritone saxophonist Pepper Adams, from 1958–1961. Byrd also gave Herbie Hancock his first major exposure by hiring him in 1961.
As a composer, Byrd was proficient in church-inspired shouts, funky and sophisticated blues forms and structurally interesting originals. He had a wider field of vision than many of his peers, exemplified by his 1963 LP, “A New Perspective” (Blue Note), which married his small group with a gospel choir.
Byrd never stopped gaining qualifications. He earned a master's degree in music education from the in the late 1950s, studied composition with the classical pedagogue Nadia Boulanger in Paris, France in the early 1960s, earned a law degree from in 1976 and a doctorate from Columbia Teachers College in New York in the early 1980s. Beginning in the 1960s, Byrd taught at many universities, including, Howard and.
By the early 1970s, Byrd had begun to explore a danceable fusion of jazz, R&B and soul. In 1973, he teamed with current and former students at Howard, where he was chairman of the black music department, to make the best-selling LP “Black Byrd”. Produced by brothers Larry Mizell & Fonce Mizell, the record and its sequels made Byrd a crossover star.