Mastering · Engineering
Steve Hall
Steve Hall is credited on 7,261 releases across 1,189 albums tracked on Gatefold, active 1954–2026 — the collector-built map of who actually made the music.
7,261
Credits
1,189
Albums
8
Decades active
2,881
In collections
Biography
Showing the Discogs bio
Chief Mastering Engineer & owner.
Hall combined musical training with studies in theater and electronics to become an audio engineer. He got his start in the business at Glendale's Whitney Studios, where he worked as a second engineer on sessions for Barry White, Rod Stewart and Phil Spector. After bought the studios he was soon drawn to mastering where his talent was quickly recognized. Among Steve’s earliest mastering projects were Nick Gilder’s "Hot Child In The City", Blondie’s "Heart of Glass", Pat Benatar’s "In the Heat of the Night" and The Knack"My Sharona."
In October 1982 Steve and business partner Gary Rice struck out on their own, envisioning a mastering facility focused on the cutting edge. That dream was realized with Future Disc, which grew rapidly from a one room suite to a multi-room complex encompassing 6000 square feet. Steve has always believed in the advancement of technology in the industry being one of the first to embrace CD mastering in 1982. At Future Disc, Steve has amassed a discography of recordings including Madonna’s "True Blue", Bobby Brown’s "Don't Be Cruel", the soundtrack for "City of Angels," Green Day’s "Nimrod", Jane’s Addiction’s "Nothing’s Shocking", Toy Matinee’s "Toy Matinee", and Alice In Chain’s “Dirt” among other studio projects.
As a sonic pioneer, Future Disc was one of the first mastering facilities to embrace surround sound technology and one of the first to set up for DVD authoring. With his work in the surround field, Hall has mastered surround projects such as The Band’s "The Last Waltz", Earth Wind & Fire’s "Gratitude", the Grateful Dead’s "American Beauty"/"Workingman’s Dead", Jackson Browne's "Runnin’ On Empty", Foreigner IV, The Beach Boys’ "Pet Sounds" and "Earth Wind & Fire And Chicago Live At The Greek",
Recent mastering projects that Steve has completed include American Idol 2008, Chick Corea, The Rippingtons, Rick Braun & Richard Elliot (“RnR”), Blind Melon, The Traveling Wiburys' “Volumes 1 & 3," CD/surround mixes for Don Grusin’s session "The Hang", the Blasters’ "Going Home", Last of The Breed's “Live In Concert” and for the Surround Music Award-tribute to George Harrison titled “The Concert for George”.
Runout etching of "MCAsh" or "MCA SH" indicates:
Lacquer Cut At - MCA Whitney Recording Studios
Lacquer Cut By - Steve Hall + ANV sh (or SH)
Bio from Discogs
Credited work
7,261 releases · 1,189 albums · active 1954–2026
- Mastering · 7,342
- Engineering · 108
- Other credits · 25
- Performance · 12
- Production · 1
Studios: MCA Whitney Recording Studios · Lion Share Recording Studios · Rumbo Recorders · Forum Studio
Discography
Records they worked on — most-collected first.

Pet Sounds
1966

Fleetwood Mac
1975

Dirt
1992

Tusk
1979

Can't Buy A Thrill
1972

Parallel Lines
1978

Full Moon Fever
1989

The Royal Scam
1976

Running On Empty
1977

Pulp Fiction (Music From The Motion Picture)
1994

Volume One
1988

(Pronounced 'Lĕh-'nérd 'Skin-'nérd)
1973

True Blue
1986

Above
1995

Nothing's Shocking
1988

The Soft Bulletin
1999

Get The Knack
1979

The Best Of Blondie
1981

The Last Waltz
1978

Autoamerican
1980

Second Helping
1974

Eat To The Beat
1979

If I Could Only Remember My Name
1971

The Raw & The Cooked
1988
Frequent collaborators
- Various
- Blondie
- John Michael Talbot
- Amy Grant
- Petra (9)
- Keiko Matsui
- George Howard
- Jim Brickman
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