Performance · Other credits
Jem Finer
real name Jeremy Max Finer
Stoke-on-Trent, United Kingdom
Jem Finer is credited on 685 releases across 124 albums tracked on Gatefold, active 1984–2025 — the collector-built map of who actually made the music.
685
Credits
124
Albums
5
Decades active
273
In collections
Biography
Showing the Discogs bio
English musician, artist and composer, best known as banjo player & co-songwriter for The Pogues. Born 25 July 1955, Stoke-on-Trent, England, UK.
Jem Finer has a background in mathematics and computer science, dating back to the ICL 1900 mainframe computers of the early 1970s. An enduring fascination with deep time and space, self-organising systems and long-durational processes has been the impetus behind much of his work including his Artangel commission, Longplayer, a thousand-year-long musical composition playing since the last moments of 1999, Cosmolog, a two-year-long artists residency in the astrophysics department of Oxford University and the 2005 PRSF New Music Award winner, Score For a Hole In the Ground, a permanent, self-sustaining musical installation in a forest in Kent, which relies only on gravity and the elements to be audible.
During his residency in Oxford he invented the term "post-digital" to describe a change in his modus operandi; a return to a direct relationship with materials and landscape - as opposed to one mediated via a screen - informed by over 30 years of working with computers. The intention was not to disavow digital technology, rather to question its sustainability, to reconsider and reconfigure older technologies and to reconnect with a sense of place. His work there included two sculptural radio-observatories, Landscope, in, and on the shore, Lough Neagh, N.Ireland and The Centre of the Universe, in University Parks, Oxford, within which he lived a semi-hermetic existence for a month, a vital human presence caretaking, collecting and collating the everyday signals from outer space.
Recent work focuses on these interests and includes Kung Fu Pinball, a pinball machine modified to auto-compose music, Slowplayer, a 3 r.p.m. sound system and Spiegelei, a 360-degree spherical camera obscura. Supercomputer, a new work in Cambridge, finds Finer's "post-digital" thinking having come full circle in the form of a sculptural machine of a computational process, indebted as much to Jean Tinguely's Métamatics as to John Conway's Game of Life.
Son, and father.
Bio from Discogs
Credited work
685 releases · 124 albums · active 1984–2025
- Performance · 1,649
- Other credits · 138
- Production · 8
- Engineering · 4
Studios: RAK Studios · Elephant Studios · The Town House · Ealing Studios
Discography
Records they worked on — most-collected first.

Rum Sodomy & The Lash
1985

If I Should Fall From Grace With God
1988

Copperhead Road
1988

Red Roses For Me
1984

The Best Of The Pogues
1991

Fairytale Of New York
1987

Hell's Ditch
1990

Peace And Love
1989

Book Of Days
1989

Now That's What I Call Christmas
2022

Electric Landlady
1991

Sid & Nancy: Love Kills (Music From The Motion Picture Soundtrack)
1986

Live In London
2014

This Is The Life
2007

The Very Best Of ...
2004

BBC Sessions 1984-85
2020

Joe Strummer 001
2018

More Betterness!
1999

Now That's What I Call Music 10
1987

Rarities Vol. I: The Covers
2017

A Curious Thing
2010

Waiting For Herb
1993

The Rest Of The Best
1992

Poguetry In Motion
1986
Frequent collaborators
- The Pogues
- Various
- Kirsty MacColl
- BAP
- Levellers
- Shane MacGowan And The Popes
- Håkan Hellström
- Shane MacGowan's Popes
Around the web
See who really made the music.
Gatefold maps every producer, engineer, and player across your shelf — the credits no one else surfaces.
Start your shelf →Free forever. Works with 10 records or 10,000.
