Production · Performance
Joe Reisman
real name Joseph Reisman
Joe Reisman is credited on 2,823 releases across 564 albums tracked on Gatefold, active 1951–2026 — the collector-built map of who actually made the music.
2,823
Credits
564
Albums
8
Decades active
112
In collections
Biography
Showing the Discogs bio
American Music Producer, Arranger, Musician and Band Leader (born September 16, 1924 in Dallas - died September 15, 1987 in Los Angeles).
Joe Reisman was one of the stalwart producers of space age pop, back in the days when the producer got all of the headaches and none of the glory. After studying music at Baylor University and the University of Texas at El Paso, Reisman got jobs playing sax with a variety of big bands, including Bob Crosby, Louis Prima, Jack Teagarden, and Glen Gray's Casa Loma Orchestra. By the late 1940s, he'd decided it was time to give up playing and touring and settle for the security of arranging and producing.
He hooked up with singer Patti Page just as she was hitting the big time, and he helped put together a string of hits, including "Tennessee Waltz" and "How Much is That Doggy in the Window?" He also started working in television and provided the music for a number of mid-1950s variety shows such as "The Oldsmobile Hour" and "NBC's Shower of Stars." After Page, he teamed up with the Ames Brothers and eventually became a member of the staff of RCA Victor in Hollywood. While with RCA, he recorded several albums of light easy listening fare, and had a small hit with a cover of Ross Bagdasarian's tune, "Armen's Theme."
He moved from RCA to Roulette Records and became one of that label's leading producers, as well as continue to record occasionally himself. He was a classic example of the producer who took all the cares on his back, and acts ranging from Henry Mancini to the Grateful Dead have recalled him as being "always worried." As Roulette's decline became evident in the early 1960s, Reisman took the opportunity to return to RCA. There he replaced Dick Peirce as Mancini's producer, and Reisman produced virtually all of Mancini's recordings from Our Man in Hollywood in 1964 on, for nearly 30 years.
Well-respected in his industry, Reisman went on to produce nearly 1,000 recordings and helped create 14 million-selling singles and 8 gold albums. Nominated for the Grammy, he had been recognized by the Disney-sponsored California Institute of the Arts as well as the National Academy of Recording Arts & Sciences (NARAS).
Bio from Discogs
Credited work
2,823 releases · 564 albums · active 1951–2026
- Production · 1,922
- Performance · 1,462
- Other credits · 150
- Mastering · 29
- Engineering · 1
Studios: RCA Victor's Music Center Of The World · RCA's Music Center Of The World · A&M Studios · RCA Studios, Hollywood
Discography
Records they worked on — most-collected first.

Calypso
1956

The Pink Panther (Music From The Film Score)
1963

Music Of Hawaii
1966

Charade
1963

A Merry Mancini Christmas
1966

Uniquely Mancini
1963

The Theme Scene
1978

Bill Haley's Greatest Hits!
1968

Hang 'Em High
1968

Como's Golden Records
1958

The Look Of Love (The Burt Bacharach Collection)
2001

Aisle Seat: Great Film Music
1982

Io Tu Noi Tutti
1977

Serenades Of Love
1976

Music From The TV Series "The Mancini Generation"
1972

Brass On Ivory
1972

Mancini Country
1970

Moog Power
1969

The Big Latin Band Of Henry Mancini
1968

The Man
1965

Original Music From The Addams Family
1965

Born To Be Blue
1959

Dream Along With Me
1957

Round And Round / Mi Casa, Su Casa
1957
Frequent collaborators
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