Performance · Other credits
Alfred Scholz
also recorded as Alberto Lizzio, Henry Adolph, Alexander von Pitamic
real name Alfred Josef Scholz
Alfred Scholz is credited on 2,691 releases across 489 albums tracked on Gatefold, active 1965–2023 — the collector-built map of who actually made the music.
2,691
Credits
489
Albums
7
Decades active
13
In collections
Biography
German producer and conductor (* 1920 in Broumov = Braunau, Czechoslovakia).
Alfred Scholz was a prolific producer of budget recordings, who fraudulently sold recordings credited with non-existing artists and orchestras. Sometimes the names of real people were given credit for performances which were not theirs. Working as a conductor, he performed under the guise of Alberto Lizzio as well as many other names.
"Alberto Lizzio" was a pseudonym used by Scholz and attached to older recordings which he obtained and then credited to non-existing artists like Hans Swarowsky (who was a real conductor and also Scholz's teacher, but was never on any of Scholz's recording) or himself. "Hans Zanotelli" (the name of a real conductor and also Scholz's fellow student) was another name fraudulently used on Alfred Scholz's records, as are Milan Horvat and Carl Melles. But the works are conducted by Milan Horvat, Carl Melles or Scholz himself according to a book by Berky, John F. (12 March 2003) [revised 2009, 2014]. "Pseudonyms: Alfred Scholz and the South German Philharmonic".
It is not clear if Alfred Scholz was a real conductor who was also a fraudster, or the perpetrator of the fraud, who was using his name as well as many others, real or imaginary as "conductors" on his recordings.
The most common orchestra used by Scholz in his falsified productions was the Süddeutsche Philharmonie or "South German Philharmonic". If the attribution is correct, this was originally a short-lived pick-up ensemble assembled by Scholz from members of the Czech Philharmonic in Prague and the Bamberg Symphony around 1968. Other non-existing orchestras conducted by non-existing conductors include Philharmonia Slavonica, London Festival Orchestra and New Philharmonia Orchestra.
Many dozens of budget labels use the recordings originally obtained from Alfred Scholz, who had a catalog of about 2000 titles. Most of these were old analogue recordings made between 1968 and 1970 for Polyband and Primaton and by the Austrian Radio prior to 1977. The recordings by the Austrian Radio were sold in 1977 to PREMIS, a company owned or controlled by Scholz. His catalog also includes a limited number of legitimate digital recordings made in England (London), Slovenia (Ljubljana), Slovakia (Bratislava), and Hungary (Budapest).
The catalog subsequently passed into the ownership of and is now owned by Point Productions.
Bio from Discogs
Credited work
2,691 releases · 489 albums · active 1965–2023
- Performance · 4,041
- Other credits · 170
- Production · 11
Studios: Concert Hall Of The Slovak Philharmonic Orchestra · Zafiro, S.A. · Musiikki-Laiho Oy · Abbey Road Studios
Discography
Records they worked on — most-collected first.

The Best Of Beethoven
1982

Schubert
1997

The Masterpiece Collection - Mozart
1996

Famous Classical Overtures
1993

Symphonie Fantastique
1990

Masters Of Classical Music, Vol.3: Beethoven
1988

The Best Of Brahms
1988

Symphony No. 94 "Surprise" & Symphony No. 104 "London"
1987

The Best Of Tchaikovsky
1982

The Masterpiece Collection Volume 1 - Bach

Prélude À L'après-midi D'un Faune · Suite Bergamasque · "La Mer" · Arabesques

Piccola Serenata Notturna In Sol Magg. K. 525 / Divertimento In Re Magg. K. 136 / Divertimento In Fa Magg. K. 138 / Concerto Per Corno N. 1 In Re Magg. K. 412
1997
Frequent collaborators
- Various
- Mozart
- Wolfgang Amadeus Mozart
- Beethoven
- Brahms
- Johann Strauss
- Franz Schubert
- Ludwig van Beethoven
Around the web
See who really made the music.
Gatefold maps every producer, engineer, and player across your shelf — the credits no one else surfaces.
Start your shelf →Free forever. Works with 10 records or 10,000.
