Artist

Korn

US nu metal band

Bakersfield, United States • Formed 1993

Korn is a music group from Bakersfield, United States, active since 1993. Their discography on Gatefold includes 24 records.

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Albums tracked

352

In collections

1993

Since

Biography

Korn (stylized as KoЯn) is an American alternative metal band from Bakersfield, California, formed in 1993 by James "Munky" Shaffer, Reginald "Fieldy" Arvizu, and David Silveria, who were previously members of the band L.A.P.D. The current lineup consists of Shaffer (guitar), Brian "Head" Welch (guitar), Jonathan Davis (vocals), and Ray Luzier (drums), who replaced Silveria in 2007. Korn is recognized for pioneering and popularizing what was labeled "nu metal" by the press and industry executives around the late 90s.

The Arc of Korn

The pivots — what forced Korn to reinvent.

The Malibu Blueprint
Working with Ross Robinson on the first two records was a scorched-earth policy that valued raw nerves over polished takes. Robinson pushed the band to embrace their vulnerability, resulting in a terrifyingly intimate sound that felt like it was recorded in a basement rather than a pro studio. You hear it in the dissonant guitar scratching and the way the low end threatens to blow out the speakers. This was the era of the 'blind' ad-lib and the bagpipes—pure, unvarnished aggression that changed the tuning of every garage band in America.
The TRL Takeover
Follow the Leader saw the band lean into their love for hip-hop, bringing in guests like Ice Cube and Fred Durst while polishing the production to a mirror shine. They moved away from the Robinson-induced chaos and toward a structured, groove-heavy sound designed for arenas and MTV rotation. The drums got tighter, the riffs became hooks, and the aesthetic shifted toward a street-wear-inspired juggernaut. It was the moment they became a brand, trading the 'loser' outsider vibe for the crown of the nu-metal empire.
The Industrial Experiment
After Head left the band in 2005, the group hit a wall and brought in The Matrix—the production team behind Avril Lavigne—to help write See You on the Other Side. This was a hard pivot into industrial-pop territory, swapping the raw funk-metal grooves for programmed beats and synth-heavy textures. It was a polarizing move that stripped away much of their signature grit in favor of a clean, processed sound. You can hear the struggle to find a new identity without their original dual-guitar attack, leading to a period of heavy experimentation with outside writers.

Influences

Faith No More — Jonathan Davis has cited Mike Patton as his primary vocal inspiration, specifically for the way Patton shifts from crooning to primal screaming. You hear it in the schizophrenic vocal delivery on 'Twist' and the overall willingness to be 'weird' in a heavy context. Patton’s work on Angel Dust provided the map for Korn's avant-garde approach to metal.
Red Hot Chili Peppers — Fieldy’s slap-bass style is a direct, albeit distorted, descendant of Flea’s funk-metal fusion from the late 80s. While Fieldy ditched the melodicism for a percussive 'click,' the rhythmic foundation of the band is rooted in the Chili Peppers' early funk-punk records. It’s the reason Korn has a groove that most thrash bands could never replicate.
Cypress Hill — Korn toured with Cypress Hill early on and covered 'Lick a Shot,' showing their deep connection to DJ Muggs' dark, hazy production style. The eerie, high-pitched guitar squeals from Munky and Head are the sonic equivalent of the nasal, psychedelic samples found on Black Sunday. They took the atmosphere of West Coast weed-rap and translated it into a heavy metal nightmare.
Mr. Bungle — The band’s usage of dissonant, circus-like melodies and unexpected instrument shifts—like the bagpipes—is a page taken directly from the Mr. Bungle playbook. Davis has frequently credited their self-titled debut for teaching him that metal didn't have to be linear. You hear that chaotic, non-traditional structure all over the bridge of 'Ball Tongue.'
Sepultura — The heavy, downtuned groove of the Roots album was a two-way street, but Sepultura’s earlier pivot into tribal, low-end thrash set the stage for Korn’s sonic weight. Ross Robinson produced both bands, using the same techniques to capture that thick, muddy guitar tone. Without Sepultura proving that down-tuned grooves could be more punishing than speed, Korn wouldn't have had a lane.