Album
The Bedlam In Goliath
2008 · Rock
30 collectors on Gatefold own this

The Bedlam In Goliath is a Rock album by The Mars Volta, originally released in 2008. On Gatefold: 35 pressings tracked, owned by 30 collectors.
About
Part-metal, part-funk, part-prog rock, part dada art project, the Mars Volta slice and dice rhythms, riffs and concepts with little concern for their overall cohesion. In fact, sharp, disparate chaos only excites them further. The string-mangling comes from all directions throughout their fourth studio album, 2008’s <i>The Bedlam in Goliath</i>. The excited hot rail lead guitars of the tune “Goliath” jumpstart singer Cedric Bixler-Zayala’s manic inquisitions until he screeches like an excited puppy midway through the seven-minute epic. It stands as a message coded in tongues. (The lyrics were allegedly inspired in part by a Ouija board guitarist-producer Omar Rodriguez-Lopez found in Jerusalem.) Mythmaking is part of this ensemble’s stock in trade, and the mystical titles are met with music every bit as cryptic and deliberately weird. Red Hot Chili Peppers guitarist John Frusciante adds his share of twisted riffs, and the band play tug-of-war within the time signatures of each tune, creating a funk that isn’t always danceable but remains consistently guttural and alluringly middle-Eastern. “Metatron” breaks down into near incoherency. “Cavaletta” pummels with nervous tension. Score one for chaos.
via Apple Music
The Clerk says
The Clerk knows this whole record — the pressing quirks, the credits, the take.
Tracklist
- 1Aberinkula5:44
- 2Metatron8:11
- 3Ilyena5:35
- 4Wax Simulacra2:38
- 5Goliath7:15
- 6Tourniquet Man2:37
- 7Cavalettas9:32
- 8Agadez6:43
- 9Askepios5:10
- 10Ouroborous6:35
- 11Soothsayer9:07
- 12Conjugal Burns6:35
Sound DNA
- Rock
- Prog Rock
- dense
- chaotic
- theatrical
On a trip in Jerusalem, Rodriguez-Lopez purchased an archaic ouija-type talking board at a curio shop as a gift for Bixler-Zavala. They would return to their tour bus after shows to play with it during their 2006 tour with the Red Hot Chili Peppers, as it quickly became the band's post-show ritual. Dubbed "The Soothsayer", the board revealed stories, gave names and made demands, as the band was contacted by three different people who appeared in the form of one, who was then referred to as "Goliath". The more the band interacted with "The Soothsayer", otherworldly coincidences began plaguing the band's experience writing and recording The Bedlam in Goliath: Blake Fleming, their drummer at the time, quit mid-tour and left the band with financial troubles; Bixler-Zavala wound up needing surgery performed on his foot due to the shoes he had been wearing, forcing him to relearn how to walk post-surgery; audio tracks sporadically disappeared from the studio's harddrives; Rodriguez-Lopez's home studio flooded and was subject to multiple power outages; and the album's original engineer went through a nervous breakdown, leaving behind all previous work with no notes as to where anything was. The engineer who quit stated to Rodriguez-Lopez: "I'm not going to help you make this record. You're trying to do something very bad with this record, you're trying to make me crazy and you're trying to make people crazy."
Rodriguez-Lopez was on the brink of starting the recording from scratch, but eventually kept on after recruiting Robert Carranza as a replacement engineer, along with assistance from Lars Stalfors and Isaiah Abolin. Midway through the recording sessions, Rodriguez-Lopez broke "The Soothsayer" in half and buried it in an undisclosed location as an attempt to undo the curse and halt the unforeseen tragedies. Rodriguez-Lopez swore never to give away the location of the burial, and also asked the band not to speak of it again during the remainder of the album's production.
Credits
The people behind it.
Performers
- Adrian Terrazas
- Cedric Bixler-ZavalaSONGWRITER , VOCALS, LYRICS BY VOCALS VOCALS, LYRICS BY
- Isaiah Owens
- John Alderete
- John Frusciante
- Jon Theodore
- Juan Alderete de la Pena
- Marcel Rodriguez-Lopez
- Omar Rodriguez-Lopez
- Paul Hinojos
- The Mars Volta
- Thomas Pridgen
- Anthony BleaFEATURING , VIOLIN FEATURING, VIOLIN VIOLIN
- Charith PremawardhanaFEATURING , VIOLA FEATURING, VIOLA VIOLA
- Edwin HuizingaFEATURING , VIOLIN FEATURING, VIOLIN VIOLIN
- Edwin OutwaterCONDUCTOR
- Nathaniel TookeyCOMPOSED BY , ARRANGED BY
- Owen LevineBASS DOUBLE BASS FEATURING , DOUBLE BASS
30 collectors on Gatefold own this · 35 pressings tracked on Gatefold
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