Album
Pata Pata
1967 · Latin, Funk / Soul
7 collectors on Gatefold own this

Pata Pata is a Folk album by Miriam Makeba, originally released in 1967. On Gatefold: 75 pressings tracked, owned by 7 collectors.
About
Following a three-decade-long exile, Miriam Makeba's return to South Africa was celebrated as though a queen was restoring her monarchy. The response was fitting as Makeba remains the most important female vocalist to emerge out of South Africa. Hailed as the Empress of African Song and Mama Africa, Makeba helped bring African music to a global audience in the '60s. Nearly five decades after her debut with the Manhattan Brothers, she continues to play an important role in the growth of African music. Makeba's life has consistently been marked by struggle. As the daughter of a sangoma, a mystical traditional healer of the Xhosa tribe, she spent six months of her birth year in jail with her mother. Gifted with a dynamic vocal tone, Makeba recorded her debut single, "Lakutshona Llange," as a member of the Manhattan Brothers in 1953. Although she left to form an all-female group named the Skylarks in 1958, she reunited with members of the Manhattan Brothers when she accepted the lead female role in a musical version of King Kong, which told the tragic tale of Black African boxer, Ezekiel "King Kong" Dlamani, in 1959. The same year, she began an 18-month tour of South Africa with Alf Herbert's musical extravaganza, African Jazz and Variety, and made an appearance in a documentary film, Come Back Africa. These successes led to invitations to perform in Europe and the United States. Makeba was embraced by the African American community. "Pata Pata," Makeba's signature tune, was written by Dorothy Masuka and recorded in South Africa in 1956 before eventually becoming a major hit in the U.S. in 1967. In late 1959, she performed for four weeks at the Village Vanguard in New York. She later made a guest appearance during Harry Belafonte's groundbreaking concerts at Carnegie Hall. A double-album of the event, released in 1960, received a Grammy award. Makeba has continued to periodically renew her collaboration with Belafonte, releasing an album in 1972 titled Belafonte & Miriam Makeba. Makeba then made a special guest appearance at the Harry Belafonte Tribute at Madison Square Garden in 1997. Makeba's successes as a vocalist were also balanced by her outspoken views about apartheid. In 1960, the government of South Africa revoked her citizenship. For the next 30 years, she was forced to be a "citizen of the world." Makeba received the Dag Hammerskjold Peace Prize in 1968. After marrying radical black activist Stokely Carmichael, many of her concerts were canceled, and her recording contract with RCA was dropped, resulting in even more problems for the artist. She eventually relocated to Guinea at the invitation of president Sekou Toure and agreed to serve as Guinea's delegate to the United Nations. In 1964 and 1975, she addressed the General Assembly of the United Nations on the horrors of apartheid. Makeba remained active as a musician over the years. In 1975, she recorded an album, A Promise, with Joe Sample, Stix Hooper, Arthur Adams, and David T. Walker of the Crusaders. Makeba joined Paul Simon and South Africa 's Ladysmith Black Mambazo during their worldwide Graceland tour in 1987 and 1988. Two years later, she joined Odetta and Nina Simone for the One Nation tour. Makeba published her autobiography, Miriam: My Story, in English in 1988 and subsequently had it translated and published in German, French, Dutch, Italian, Spanish, and Japanese. Following Nelson Mandela's release from prison, Makeba returned to South Africa in December 1990. She performed her first concert in her homeland in 30 years in April 1991. She appeared in South African award-winning musical Sarafina in 1992 in the role of Sarafina's mother. Two years later, she reunited with her first husband, trumpeter Hugh Masekela, for the Tour of Hope tour. In 1995, Makeba formed a charity organization to raise funds to help protect the women of South Africa. The same year, she performed at the Vatican's Nevi Hall during a worldwide broadcast, Christmas in the Vatican. Makeba's first studio album in a decade, Homeland, was released in 2000. ~ Craig Harris, Rovi.
via Last.fm
The Clerk says
The Clerk knows this whole record — the pressing quirks, the credits, the take.
Tracklist
Side A
- A1Pata Pata3:38
- A2Ha Po Zamani
- A3What Is Love
- A4Maria Fulo
- A5Yetentu Tizaleny
- A6Click Song Number One
Side B
- B1Ring Bell, Ring Bell
- B2Jol'inkomo
- B3West Wind
- B4Saduva
- B5A Piece Of Ground
Sound DNA
- Folk
- Traditional Folk
- warm
- celebratory
- bohemian
How to distinguish Germany/Europe releases with cat# RS 6274 and/or 44 046:
#1 - The following releases only have cat# RS 6274, no cat# 44 046 anywhere on the release
Pata Pata - The Hit Sound Of Miriam Makeba (Germany 1967) (opens in a new tab) - yellow-green-pink label
Pata Pata - The Hit Sound Of Miriam Makeba (Germany 1968) (opens in a new tab) - red-yellow label, Grand Prix du Disque imprint on front
Pata Pata - The Hit Sound Of Miriam Makeba (Germany 1970) (opens in a new tab) - all-yellow label, Grand Prix du Disque imprint on front
All of the above have a small picture of “Miriam Makeba In Concert” release on back sleeve; rights society GEMA.
All other releases below have all-yellow label (with only a red square around the Reprise “:r” logo), and have both cat#s RS 6274 and 44 046 (or REP 44 046) either on sleeve or on label.
#2 Releases with rights society GEMA/Biem:
Pata Pata (Europe) (opens in a new tab) - no barcode
Pata Pata (Europe) (opens in a new tab) - with barcode
Both have a “Soul Tropical” sticker or imprint on the front, and the label code in small print at the bottom of the label, and on the back sleeve.
All other releases below have rights society GEMA and yellow label, and cat# 44 046 or REP 44 046.
#3 - The following releases have the label code in large print at top of record label, and on back sleeve
Pata Pata (Germany 1977) (opens in a new tab), Pata Pata (Germany) (opens in a new tab), Pata Pata (Germany) (opens in a new tab): These three are very similar, all have cat# 44 046 and RS 6274 on front and back, REP 44 046 on label, "Soul Tropical" imprint or sticker, France & Germany price codes on back sleeve, Warner Communications logo and embossed logo on back sleeve. Differences only in the runouts.
Pata Pata (Germany) (opens in a new tab) - This release also has the label code in large print, and Warner logo, but also has a Ⓑ on the front and back sleeve, and no Germany / France price codes on the back sleeve.
#4 = The following releases do not have the label code anywhere on the release
Pata Pata (Germany 1971) (opens in a new tab) - both cat# RS 6274 and 66 046 on front and back, Grand Prix du Disque imprint on front; also the only release with a different label design, with tracklist not in a left-aligned column.
Pata Pata - The Hit Sound Of Miriam Makeba (Germany 1973) (opens in a new tab) - also both cat#, no Grand Prix du Disque imprint but with a Soul Tropical imprint or sticker.
Pata Pata (Germany) (opens in a new tab) - also both cat#, also has a Ⓑ on the front and back sleeve.
Pata Pata (Germany) (opens in a new tab) - has only cat# RS 6274 on the front, 44 046 on the back, and REP 44 046 on the labels
Credits
The people behind it.
Performers
- Miriam MakebaVOCALS VOCALS, WRITTEN-BY
7 collectors on Gatefold own this · 75 pressings tracked on Gatefold
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