Album
Live 1966 (The "Royal Albert Hall" Concert)
1998 · Rock, Blues
10 collectors on Gatefold own this

Live 1966 (The "Royal Albert Hall" Concert) is a Rock album by Bob Dylan, originally released in 1998. On Gatefold: 28 pressings tracked, owned by 10 collectors.
About
The first thing to know about Bob Dylan’s infamous and much-bootlegged “Royal Albert Hall” concert is that it was not, in fact, recorded at London’s Royal Albert Hall. Dylan would end his lightning-rod 1966 tour on May 27—the second of a two-night stand at the palatial round theater. But 10 days earlier, Dylan’s caravan had stopped at Manchester’s less grand Free Trade Hall for his customary two sets: The first one acoustic, to satisfy those hungry to hear his early work, and the second one electric, to thrill those rebellious few delighted with the raucous turn on 1965’s <i>Bringing It All Back Home</i>. That’s the show that erroneously became known as the “Royal Albert Hall” gig. It’s also the performance that became forever consecrated as the moment Dylan told his flock he had more to worry about than their opinion. Indeed, opinion on Dylan’s performances through 1966 were so heated and divided that Levon Helm—the anchor of Dylan’s live backing band, The Hawks—split before the tour began in earnest, to be replaced by a string of drummer. Dylan didn’t make the acoustic half much easier on himself, with three of the seven songs stemming from the then-unreleased <i>Blonde on Blonde</i>. By the time his raucous support arrived for the second set, some of the crowd was already in a fit. When former disciple Keith Butler yelled “Judas!” from the audience following an especially brooding “Ballad of a Thin Man,” Dylan stepped to the microphone and sneered: “I don’t believe you. You’re a liar.” He then turned to his crew, demanded that they “play fucking loud,” and launched into a surging “Like a Rolling Stone.” It is one of the great lines drawn in the shifting sands of rock ’n’ roll. .
via Apple Music
The Clerk says
The Clerk knows this whole record — the pressing quirks, the credits, the take.
Tracklist
- 1-1She Belongs To Me3:27
- 1-2Fourth Time Around4:37
- 1-3Visions Of Johanna8:08
- 1-4It's All Over Now, Baby Blue5:45
- 1-5Desolation Row11:31
- 1-6Just Like A Woman5:52
- 1-7Mr. Tambourine Man8:52
- 2-1Tell Me, Momma5:10
- 2-2I Don't Believe You (She Acts Like We Never Have Met)6:07
- 2-3Baby, Let Me Follow You Down3:46
- 2-4Just Like Tom Thumb's Blues6:50
- 2-5Leopard-Skin Pill-Box Hat4:50
- 2-6One Too Many Mornings4:22
- 2-7Ballad Of A Thin Man7:55
- 2-8Like A Rolling Stone8:01
Sound DNA
- Rock
- Folk Rock
- raw
- intense
- poetic
Credits
The people behind it.
Performers
- Bob DylanGUITAR, HARMONICA, VOCALS PERFORMER, VOCALS, GUITAR, HARMONICA VOCALS , GUITAR, HARMONICA
- Garth HudsonORGAN PERFORMER, ORGAN
- Mickey JonesDRUMS PERFORMER, DRUMS
- Richard ManuelPERFORMER, PIANO PIANO
- Rick DankoBASS PERFORMER, BASS BACKING VOCALS
- Robbie RobertsonGUITAR PERFORMER, GUITAR FEATURING
- John LennonFEATURING
10 collectors on Gatefold own this · 28 pressings tracked on Gatefold
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