Album
Labcabincalifornia
1995 · Hip Hop
32 collectors on Gatefold own this

Labcabincalifornia is a Hip-Hop album by The Pharcyde, originally released in 1995. On Gatefold: 59 pressings tracked, owned by 32 collectors.
About
Pharcyde’s 1992 debut album <i>Bizarre Ride II The Pharcyde</i> catapulted the group into stardom, thanks to the hit single “Passin’ Me By,” an ode to unrequited love. But by the mid-1990, it had become clear that fame wasn’t all it was cracked up to be: Tensions had begun to rise among the band member, and The Pharcyde had parted ways with their producer (and musical mentor) J-Swift, who’d shaped much of the sound of <i>Bizarre Ride</i>. To make things even more complicated, the group’s record label was hoping album No. 2 would be a commercial hit. Somehow, despite all this adversity, The Pharcyde emerged with 1995’s <i>Labcabincalifornia</i>, the album that proved the group members were as funny, poignant, and profound as ever—even if they’d become a lot more cynical. In the absence of J-Swift—and his seamless blend of samples and live instrumentation—the group members stepped up to produce, enlisting the help of their DJ, M-Walk; the Bronx-bred production heavyweight Diamond D; and a new producer from Detroit who called himself “Jon Doe.” He’d later shorten his name to “Jay Dee,” but most listeners would get to know him as “J Dilla,” the soon-to-be legendary beatmaker. Dilla produced six of <i>Labcabincalifornia</i>’s 17 track, including its signature singles “Runnin’” and “Drop” (the latter of which would get an innovative backwards music video courtesy of a young Spike Jonze). Though only a few years into the music biz, The Pharcyde had learned that Q-Tip’s adage about record company people being shady rang true—a fact they lamented on “Devil Music” (“Every time I step to the microphone/I put my soul on two-inch reels that I don’t even own”). Elsewhere on <i>Labcabincalifornia</i>, the group attacks the transactional sexual experiences of rap life (“Groupie Therapy”), and takes aim at the imitators who’d started copying The Pharcyde’s sound and aesthetic (“Pharcyde”). And on the album standout “She Said,” Fatlip eschews the “a, ga, or cash” axiom used to treat women as object. .
via Apple Music
The Clerk says
The Clerk knows this whole record — the pressing quirks, the credits, the take.
Tracklist
- 1Bullshit4:12
- 2Pharcyde4:20
- 3Groupie Therapy5:12
- 4Runnin'4:56
- 5She Said5:15
- 6Splattitorium2:58
- 7Somethin' That Means Somethin'3:31
- 8All Live0:51
- 9Drop5:35
- 10Hey You3:54
- 11Y?5:04
- 12It's All Good0:41
- 13Moment In Time2:44
- 14The Hustle5:34
- 15Little D1:31
- 16Devil Music4:12
- 17The E.N.D.4:41
Sound DNA
- Hip-Hop
- Boom Bap
- warm
- laid-back
- groovy
Credits
The people behind it.
Performers
- Bob DurhamKEYBOARDS
- Fernando PullumTRUMPET
- Jay DeeDRUMS
- Justin ReinhardtORGAN ELECTRIC PIANO PIANO
- Big BoyFEATURING
- Bob Marley
- BuckwheatFEATURING
- Buddy Miles
- Cannonball Adderley
- Earl Grant
- Funky Fresh FewFEATURING
- Gary Burton Quartet
- JazzyfatnasteesVOCALS
- M.C. Big BoyFEATURING
- Mark-OneFEATURING
- Queen Latifah
- Randy MackFEATURING
- Roy Ayers
32 collectors on Gatefold own this · 59 pressings tracked on Gatefold
Start your shelf.
Track your pressings of Labcabincalifornia, get the Clerk's take, and see what the record is worth — free.
Start your shelf →Free forever. Works with 10 records or 10,000.
