Heart In Motion

About

It’s difficult to believe now, but the blockbuster <i>Heart in Motion</i> actually caused controversy in certain circles upon its 1991 release. The culprit was what it represented: Contemporary Christian superstar Amy Grant jumping headfirst into the secular pop world. Although she had dabbled in this realm before—a romantic 1986 duet with Peter Cetera, “The Next Time I Fall,” even topped the <i>Billboard</i> Hot 100 and was nominated for a GRAMMY®—this album was decidedly aimed toward the mainstream. Mission accomplished: With its polished production, sparkling keyboards, and upbeat attitude, <i>Heart in Motion</i> was embraced by contemporary pop radio. The wholesome love song “Good for Me” boasted flashy electric guitars, funky beats, and lyrics acknowledging that opposites attract: “You like to drive like Mario Andretti/I like it taking my time.” Tart horns drive the brisk “Every Heartbeat,” which bears more than a hint of gospel influence, while “That’s What Love Is For” is a soaring, optimistic power ballad that allows Grant to stretch her voice heavenward. Still, the secret to <i>Heart in Motion</i>’s success is that the album is still as reverential and earnest as Grant’s CCM work. The massive hit “Baby, Baby”—a song inspired by her newborn daughter, not a love interest—is universal enough to refer to anybody who is adored, while the comforting message of “You’re Not Alone” is self-explanatory. Grant’s honesty even extends to more specific personal fare: “Hats” explores, with sophisticated insights, the pressure to balance work and personal life. In the end, <i>Heart in Motion</i> kicked off a new phase of Grant’s career that expanded her audience—but didn’t alienate older fans.

via Apple Music