Artist
Parlor Greens
Loveland, United States
Parlor Greens is a music group from Loveland, United States. Their discography on Gatefold includes 2 records.
2
Albums tracked
12
In collections
—
Since
Biography
Adam Scone dragged a heavy-as-hell Hammond organ into the studio to track In Green We Dream, and that physical weight is the whole damn point. There is no digital artifice or plug-in trickery here. You’ve got Jimmy James from the Delvon Lamarr Organ Trio and Tim Carman from GA-20 essentially cutting a live-wire session that sounds like it was tracked in 1967 and sat in a humid basement for fifty years before Colemine found the tapes. It’s the sound of three guys who don't care about the last four decades of production trends. They aren't trying to reinvent the wheel, they’re just trying to make it spin without wobbling. While the rest of the world is busy over-producing every snare hit, these guys are leaning into the bleed and the hum of the tubes. It’s blue-collar soul jazz that hits right because Scone, James, and Carman have spent enough time in the trenches of the touring circuit to know that a Leslie cabinet and a clean guitar tone are undefeated. It’s honest, sweaty, and completely devoid of corporate polish.
Bio from The Clerk
The Arc of Parlor Greens
The pivots — what forced Parlor Greens to reinvent.
The Colemine Collision
When Terry Cole at Colemine Records pulled these three veterans together in Loveland, he wasn't looking for a polished studio project. The chemistry between Jimmy James’s scratchy, West Coast blues licks and Adam Scone’s greasy organ swells was immediate because they all speak the same shorthand of 60s soul. You can hear the room in the recording—the way Tim Carman’s drums don't just provide a beat, but actually push the other two into the red. It’s a rare moment where a label-facilitated lineup feels like a band that’s been playing the same dive bar for twenty years.
Influences
- The Meters — The DNA of Zigaboo Modeliste is all over Tim Carman’s pocket on tracks like 'In Green We Dream.' Jimmy James has repeatedly cited Leo Nocentelli’s scratchy, syncopated rhythm playing as his primary blueprint for funk. It’s that New Orleans second-line grease that keeps the whole project from sounding too stiff or academic.
- Booker T. & the M.G.'s — The Stax house band is the obvious North Star for the trio’s economy and space. You hear Steve Cropper’s 'less is more' philosophy in every one of James’s solos. They prioritize the groove of the unit over individual showboating, exactly how Booker T. Jones ran his sessions at McLemore Avenue.
- Jimmy Smith — Adam Scone is a disciple of the Blue Note organ sound, specifically the aggressive foot-pedal bass and percussive attack pioneered by Smith. You hear that high-velocity Hammond B3 chirping on the upbeat that was Smith’s calling card. It gives the record a jazz credibility that transcends basic funk revivalism.
- Grant Green — The group’s name is a direct nod to Green’s 1961 Blue Note classic, 'Grantstand,' and his overall soul-jazz output. Jimmy James mimics Green’s clean, biting tone and his knack for playing just behind the beat. It’s the sound of a hollow-body guitar being pushed just hard enough to growl.
- Brother Jack McDuff — McDuff’s '60s quartets and trios provided the roadmap for how to blend heavy gospel influences with grit. Scone’s phrasing on the keys mirrors the way McDuff used to lean into the drawbars for dramatic swells. It’s the bridge between the church and the smoky jazz club.
Discography
Their records — most-collected first.
Related artists
Around the web
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