Artist
Not for Radio
María Zardoya's solo project
Not for Radio is a musician. Their discography on Gatefold includes 2 records.
2
Albums tracked
6
In collections
—
Since
Biography
María Zardoya from The Marías' solo project. María announced this project on a livestream on August 20, 2025 wearing a t-shirt that says 'I made a solo project'. María Zardoya, who was born in Puerto Rico and grew up in Atlanta. She and her The Marías bandmate Josh Conway, met at a show at the Kibitz Room, a bar and music venue inside Canter's Deli in Los Angeles. They began writing almost immediately after meeting. Soon they recruited close friends to join as band members: Edward James, and Jesse Perlman.
The Arc of Not for Radio
The pivots — what forced Not for Radio to reinvent.
The Clean Slate
Stripping away the collaborative multi-instrumental arrangements of her past, Zardoya launched the project in 2025 with 'Melt' to focus entirely on minimal electronic structures. She recorded her vocals dry and upfront, avoiding the heavy reverb and layered harmonies that had defined her previous work. The track proved she could command a room with nothing but a basic drum machine pulse and her raw voice. It established a stark, post-midnight mood that drew a sharp line between her past band and her solo future.
The Down-Tempo Shift
In 2026, Zardoya leaned directly into late-nineties British electronic production by handing 'Puddles' over to trip-hop legends Zero 7 for a full reconstruction. This move shifted her sound from bedroom indie-pop to smoky, analog-driven down-tempo soul. The remix replaced her clean digital backing tracks with warm Rhodes chords and a lazy, swinging drum break. You hear this new direction bleeding directly into the follow-up single 'Bloom', which trades bedroom-pop minimalism for deep, dubby basslines and lush, spacey textures.
Influences
- Zero 7 — Zardoya commissioned the duo to remix 'Puddles' in 2026, directly linking her sound to their blueprint. You hear their influence in the warm Rhodes electric piano chords and lazy, syncopated drum loops on 'Bloom'. It is the exact same late-night chillout vibe they perfected on Simple Things.
- Portishead — Zardoya has repeatedly cited the Bristol group's bleak, cinematic atmosphere as a major touchstone for her vocal delivery. The influence shows up in the dry, intimate vocal mixing of 'Melt', which mimics Beth Gibbons' icy, close-mic technique. It swaps standard pop sweetness for a tense, hushed delivery.
- Sade — The blueprint for Zardoya's understated, smoky vocal style comes directly from Sade Adu's minimalist soul classic Diamond Life. You hear it in the effortless, low-register delivery on 'Bloom' where she refuses to oversing or shout over the beat. It is about restraint rather than vocal acrobatics.
- Broadcast — The late Trish Keenan's use of vintage analog synths and eerie, psychedelic pop structures heavily informed Zardoya's solo synth choices. The warbling, slightly out-of-tune synthesizer leads on 'Melt' sound like they were pulled straight from Broadcast's The Noise Made by People. It grounds her modern electronic pop in old-school tape warble.
- Cardigans — The hushed, whisper-singing style popularized by Nina Persson on early records like Life is a direct ancestor to Zardoya's vocal approach. The breezy but melancholic vocal delivery on 'Puddles' relies on that same breathy, close-to-the-mic intimacy. It is pop music delivered like a secret.
Discography
Their records — most-collected first.
Around the web
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