Artist

Love

Los Angeles, United States

Love is a music group from Los Angeles, United States. Their discography on Gatefold includes 18 records.

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Albums tracked

113

In collections

—

Since

Biography

Love was an American psychedelic rock band formed in Los Angeles, California in 1965. They were led by singer, songwriter and guitarist Arthur Lee (March 7, 1945 - August 3, 2006) and the group's second songwriter, guitarist Bryan MacLean (September 25, 1946 - December 25, 1998). One of the first racially diverse American pop bands, their music reflected a remarkable array of influences, combining elements of rock and roll, garage rock, folk, showtunes and psychedelia.

The Arc of Love

The pivots — what forced Love to reinvent.

The Sunset Strip Punks
Before they were psychedelic poets, Love was a high-voltage garage act influenced by the Byrds but with a much sharper edge. Their self-titled debut was recorded fast and cheap, capturing a band that could pivot from the aggressive proto-punk of '7 and 7 Is' to melodic folk-rock. You hear a group trying to out-jangle everyone on the Strip while Arthur Lee’s vocals leaned into a soulful, almost snarl-like delivery that set them apart from the flower-power crowd. This was the only era where they functioned like a semi-normal unit before the ego and paranoia took over.
The Baroque Breakdown
By 1967, the band moved into a communal house called 'The Castle' and stopped acting like a team. Arthur Lee and Bryan MacLean were in a cold war for songwriting dominance while the rest of the group struggled with technical proficiency and heavy drug use. This friction resulted in Forever Changes, where Bruce Botnick utilized orchestral arrangements to fill the gaps left by the band’s instability. The result is a haunting, cinematic sound where the strings and brass provide a deceptive sweetness to Lee’s apocalyptic lyrics about the draft and the crumbling L.A. dream.
The Hendrix Hangover
After the classic lineup splintered, Arthur Lee reconstituted the band with a rotating door of heavy-blues players, including guitarist Jay Donnellan. The sound shifted toward bloated, Hendrix-influenced jams on albums like Out Here and False Start, losing the delicate intricacies of the earlier records. They even tracked a session with Jimi Hendrix himself called 'The Everlasting First,' but the synergy wasn't there. This period is defined by a desperate search for a new identity that swapped out the suburban paranoia for loud, meandering guitar heroics.

Influences

The Byrds — Arthur Lee explicitly cited seeing the Byrds at Ciro's as the catalyst for moving Love from a soul act into rock. You hear it in the 12-string jangle of 'Hey Joe' and the harmony structures on their first record. It was the blueprint they had to follow before they could eventually destroy it.
Burt Bacharach — The sophisticated chord changes and horn charts on Forever Changes are a direct nod to Bacharach's pop compositions. Lee was obsessed with the way Bacharach used space and unexpected instrumentation to create a specific mood. You can hear that 'Walk On By' elegance flipped into something much more sinister on 'Alone Again Or'.
John Coltrane — Arthur Lee was a jazz head who worshipped Coltrane's phrasing and experimental spirit. He pushed the band toward long-form improvisation on 'Revelation,' trying to capture the free-form energy of a jazz quintet. It’s the reason Love was willing to break the three-minute pop song structure earlier than most of their peers.
Mick Jagger — Early on, Lee adopted a vocal affectation and stage swagger that was heavily indebted to Jagger’s mid-60s persona. On tracks like 'Can't Explain,' the phrasing is almost a mirror image of the Stones' rhythm and blues period. It gave the band a dangerous, street-level energy that the Byrds lacked.
Little Richard — Before he was a psychedelic visionary, Lee was a R&B songwriter and performer who modeled his energy on the 50s rock and roll greats. The raw, shredded vocal delivery on '7 and 7 Is' pulls directly from that high-octane scream. It’s the foundational grit that kept their later acoustic stuff from sounding too precious.