Artist
Lion
Los Angeles, United States
Lion is a music group from Los Angeles, United States. Their discography on Gatefold includes 3 records.
3
Albums tracked
8
In collections
—
Since
Biography
Doug Aldrich didn't walk into the session for the Transformers movie theme looking for a paycheck—he walked in to save a dying breed of L.A. hair metal that was getting too soft for its own good. While the rest of the Sunset Strip was busy chasing power ballads and hairspray endorsements, Lion was in the studio doubling down on a heavy, European-influenced crunch that felt more like Sheffield than Hollywood. Kal Swan had that gritty, Paul Rodgers-inflected rasp that made most of his peers sound like they were breathing helium, and he paired it with Aldrich’s obsessive, technical precision that eventually landed the guy gigs with Dio and Whitesnake. They were too heavy for the pop charts and too polished for the thrash kids, leaving them stuck in that weird mid-80s limbo where you could play the hell out of your instrument but couldn't get a break from the suits at Scotti Brothers. By the time they tracked Trouble in Angel City in '89, the writing was on the wall. Mark Edwards had that horrific accident at a motocross event that effectively ended the band’s momentum just as the L.A. scene was about to be gutted by the Pacific Northwest. They were a world-class unit that burned out because the industry didn't know whether to market them to shredders or radio programmers.
Bio from The Clerk
The Arc of Lion
The pivots — what forced Lion to reinvent.
The Scotti Brothers Era
After the Power Love EP made some noise in Japan, the band signed with Scotti Brothers and leaned into the high-production sheen of Dangerous Attraction. Doug Aldrich was pushing his gear to the limit, blending a classic Marshall roar with the hyper-speed alternate picking that defined the mid-80s guitar hero era. You can hear the struggle on that record between the label’s desire for a 'hit' and the band's natural inclination toward heavy, driving riffs that wouldn't have been out of place on an Iron Maiden B-side. It remains the definitive Lion document, capturing a moment when the L.A. sound still had some actual teeth left.
The Angel City Fade
For the 1989 swan song, the band rerecorded several tracks from their debut EP and tried to harden their image to match the gritty street-metal trend. The production on Trouble in Angel City felt less like a major label push and more like a band digging in their heels against a changing tide. Mark Edwards’ drumming was as locked-in as ever, providing a massive foundation for Swan’s bluesier vocal runs, but the tragic injury to Edwards during the promotional cycle killed the band's touring capability. It wasn't a slow decline—it was a sudden, violent stop for a lineup that was technically superior to almost everyone else on the Strip.
Influences
- Whitesnake — Kal Swan has openly cited David Coverdale as a primary vocal blueprint. You hear it in the controlled grit of 'Power Love' and the way he attacks the bluesier intervals. It’s no coincidence Doug Aldrich eventually ended up playing for Coverdale years later.
- Deep Purple — The band's foundational DNA is rooted in the MK II and MK III lineups, specifically the heavy Hammond-organ-and-guitar interplay. Aldrich’s lead style on 'Dangerous Attraction' heavily borrows from Ritchie Blackmore’s neo-classical phrasing and aggressive vibrato. They were playing L.A. metal with an old-school British backbone.
- Bad Company — Before Lion, Kal Swan fronted Tytan in the NWOBHM scene, where he took heavy cues from Paul Rodgers’ phrasing. The mid-tempo stompers on the 'Power Love' EP carry that same soulful, hard-rock swagger. They prioritized the groove over the glam-metal gallop.
- Thin Lizzy — Lion's penchant for harmonized guitar leads and the 'Trouble in Angel City' vibe points directly back to Phil Lynott’s songwriting. Aldrich and Swan have both referenced the dual-guitar attack as a core influence on their arrangement style. It’s hard rock with an emphasis on melody and twin-lead precision.
- Led Zeppelin — The heavy, blues-based riffing of Jimmy Page is all over Aldrich’s rhythm work. You can hear the Zeppelin influence in the way they use light and shade between the acoustic intros and the distorted choruses. It gave their records a dynamic range most hair-metal bands lacked.
Discography
Their records — most-collected first.
Related artists
Around the web
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