Artist
Karnivool
Perth, Australia • Formed 1998
Karnivool is a music group from Perth, Australia, active since 1998. Their discography on Gatefold includes 7 records.
7
Albums tracked
30
In collections
1998
Since
Biography
Karnivool is an Australian rock band formed in Perth in 1998. Since 2004, the line-up has consisted of Ian Kenny (vocals), Drew Goddard (guitar), Mark Hosking (guitar), Jon Stockman (bass), and Steve Judd (drums). The band has released four studio albums: "Themata" (2005), "Sound Awake" (2009), "Asymmetry" (2013), and "In Verses" (2026). Karnivool developed from a high school band formed in 1997 in Perth, Western Australia. The group initially performed cover versions of songs by Nirvana and Carcass, alongside original material.
The Arc of Karnivool
The pivots — what forced Karnivool to reinvent.
The Nu-Metal Hangover
Early on, the band was chasing the tail end of the '90s aggressive radio sound, resulting in the 'Persona' EP and a lot of jumping around on stage. Kenny was splitting time with Birds of Tokyo, and the band hadn't quite figured out how to layer the three-guitar attack without it becoming a muddy mess. You can hear them fighting the urge to write a pop song, settling for chunky riffs and angst before they realized they were smarter than the genre they were playing.
The Savell Sessions
Bringing in Forrester Savell changed the physics of the band by introducing a clinical, widescreen production style that became their signature. Since Goddard played almost every instrument on the debut out of necessity, the record has a rigid, obsessive quality that pushed them toward the 'prog' label. It’s the sound of a studio project turning into a real monster, ditching the rap-rock ghosts for dropped-B tuning and melodic soaring.
The Polyrhythmic Shift
When they finally got a stable touring lineup in the room for 'Sound Awake', they leaned into the rhythmic friction between Judd’s drumming and Stockman’s bass. The songs moved from verse-chorus structures into sprawling, linear compositions like 'New Day' that demanded multiple listens just to find the one-beat. They traded the radio-ready sheen for a raw, organic capture at Byron Bay’s Rockinghorse Studios, proving they could actually play the impossible parts they’d written.
Influences
- Tool — Kenny has cited 'Aenima' as a massive tectonic shift for his vocal approach and the band's use of odd-time signatures. You hear it in the atmospheric tension and the way the bass drives the melody while guitars provide texture. It's the foundational DNA for their entire mid-career output.
- Faith No More — The band covered 'The Gentle Art of Making Enemies' early on and took a lot of their genre-hopping cues from Mike Patton. The aggressive-to-melodic vocal pivots Kenny pulls off are straight out of the Patton playbook. They took the weirdness and filtered it through a heavier, more disciplined lens.
- Meshuggah — Goddard has been vocal about the impact of 'Destroy Erase Improve' on his rhythmic philosophy. The mechanical, palm-muted polyrhythms on 'Asymmetry' are a direct nod to the Swedish school of heaviness. They took the math and applied it to a much more melodic framework.
- Nirvana — They started as a high school cover band playing 'Bleach' and 'Nevermind' tracks before they ever wrote an original riff. That grunge filth is still buried in the low-end of their guitar tones. Even at their most progressive, they never lost that specific '90s basement-show grit.
- Carcass — In the early days, Goddard was obsessed with 'Heartwork' and the way those guys blended extreme metal with actual melody. You can hear that influence in the surgical precision of the lead work on the first record. It gave their early heavy parts a technical edge most nu-metal bands lacked.
Discography
Their records — most-collected first.
Related artists
Around the web
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