Artist

Fred again..

UK producer, songwriter, multi-instrumentalist and DJ

London, United Kingdom • b. 1993

Fred again.. is a musician from London, United Kingdom, active since 1993. Their discography on Gatefold includes 7 records.

Photo of Fred again..

7

Albums tracked

59

In collections

1993

Since

Biography

Frederick John Philip Gibson, (born 19 July 1993) known professionally as Fred Again (stylised as Fred again..) or simply Fred (stylised as FRED), is a British record producer, singer, songwriter, multi-instrumentalist, and DJ. Aged 16, Gibson joined an a cappella group at Brian Eno's studio in London, who was his family's neighbour at the time. In 2014, he collaborated as co-producer and songwriter with Eno and Karl Hyde on their two project albums Someday World and High Life (songwriter only).

The Arc of Fred again..

The pivots — what forced Fred again.. to reinvent.

  1. The Behind-the-Scenes Hitmaker

    Before stepping out as a solo entity, Gibson operated purely behind the boards as a heavyweight pop producer and Brian Eno disciple. He was churning out polished chart hits for UK giants and cutting collaborative drill experiments like the 2020 GANG mixtape with Headie One. You hear it in the hyper-clean low-end and rigid pop structure that underpin all his early tracks. He knew how to construct a radio hook long before he ever picked up a sampler under his own name.

  2. The Actual Life Trilogy

    When lockdown shut down clubs worldwide, he locked himself in with hours of voice notes, Instagram clips, and ambient field recordings. The result was the three Actual Life records between 2021 and 2022, built around real-world audio from people like Carlos and Dermot Kennedy transposed over UK garage rhythms. Tracks like 'Marea (We've Lost Dancing)' became universal post-lockdown anthems by anchoring raw melancholy directly to club euphoria. It completely redefined modern electronic songwriting by centering unprocessed human voices instead of standard guest verses.

  3. Stadium Mania and USB

    A frenetic 2022 Boiler Room set blew his underground profile wide open, pushing him into sudden arena territory alongside Skrillex and Four Tet. He quickly spun off the USB project to handle heavyweight, bass-heavy club singles alongside Swedish House Mafia and Future while simultaneously cutting the meditative ambient record Secret Life with Brian Eno. The intimacy of his bedroom production had to scale up overnight to fill massive open fields and arena sound systems. You can hear that tension between delicate piano ballads and blunt festival-grade drops across ten days.

Influences

  • Brian EnoEno took Gibson under his wing as a teenager, mentoring him in production techniques before they eventually cut the full ambient LP Secret Life together in 2023. You hear it in the tape-decay textures, generative ambient spacing, and deep harmonic patience embedded beneath the club tracks. That generative approach to sound design came straight from Eno's London studio.
  • BurialGibson has explicitly cited Burial's sound design as the definitive blueprint for UK garage atmospheric depth. You hear it in the pitch-shifted vocal chops, background vinyl hiss, and syncopated 2-step swing all over the Actual Life series. It takes Burial's rainy night bus ride aesthetic and pushes it directly into daylight.
  • The StreetsMike Skinner wrote the rulebook on using conversational British street dialect over raw garage beats, a format Gibson directly adopted. You hear it in the spoken-word cadences and slice-of-life storytelling that drive tracks like 'Mike (desert island duvet)'. It makes mundane, everyday voice notes feel as profound as pop choruses.
  • Four TetKieran Hebden served as a key mentor, collaborator, and touring partner, heavily influencing Gibson's sample curation and live improvisation style. You hear it in the modular synth glitches, organic percussive clicks, and micro-sampling methods scattered across his tracks. It bridges the gap between delicate IDM crate-digging and functional dance music.
  • Todd EdwardsEdwards pioneered the technique of micro-sampling vocal syllables to construct entirely new melodies in 1990s speed garage and UK garage. Gibson uses this exact chopping methodology across his entire solo catalog, treating short human breaths and vowels as lead instruments. Without Edwards's choppy vocal blueprints, the core rhythm of Gibson's tracks does not exist.

Discography

Their records — most-collected first.

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