Artist
Daniel Danger
United States
Daniel Danger is a music group from United States. Their discography on Gatefold includes 1 record.
1
Albums tracked
1
In collections
—
Since
Biography
Before Daniel Niejadlik started his poster art career he had a number of bands. Daniel Danger was one of many solo and band projects to occur while he attended Rochester Institute of Technology in New York. Of the MP3s he released on his student site, very few ever used "Daniel Danger" as the artist name.
The Arc of Daniel Danger
The pivots — what forced Daniel Danger to reinvent.
The Massachusetts DIY Grind
During the peak of The Saddest Landscape, the sound was defined by the chaotic, red-lining intensity of the 2002-2003 New England scene. Working with labels like Panic Records, Danger’s guitar work was an exercise in abrasive, heart-on-sleeve catharsis. You hear it in the frantic pacing and the way the instruments seem to be fighting for space against the vocals. It was the foundation of everything he did later—learning how to make sadness feel like a physical weight.
The A City Safe From Sea Pivot
When Danger moved toward A City Safe From Sea, the aggression of screamo was traded for long-form, instrumental post-rock. The shift was marked by a heavy reliance on delay pedals and cinematic builds that mirrored his growing reputation as an illustrator. This era was about the 'big quiet'—letting notes ring out until they decayed into the floorboards. It felt less like a basement show and more like the soundtrack to a condemned building.
The Some Stranger Shadows
The solo work under the Some Stranger moniker stripped the sound down even further to its ghost-like essentials. Recorded with a focus on intimacy and texture, the songs became slower, darker, and more melodic in a funeral-march sort of way. He stopped hiding behind a full band and leaned into the hollow, resonant space of his own compositions. It's the musical equivalent of his most famous prints: lonely, backlit, and deeply focused on the things left behind.
Influences
- Godspeed You! Black Emperor — Danger has cited their '90s run as the blueprint for using scale and dread as a compositional tool. You hear it in the long, swelling crescendos of his post-rock projects. It's that specific way of making a single repeated note feel like a looming storm.
- Orchid — The raw, chaotic energy of the Amherst screamo scene was the water he swam in during his early years. The frantic, dissonant guitar work of Will Killingsworth is the direct DNA for Danger's time in The Saddest Landscape. It's the sound of a gear setup being pushed to the point of collapse.
- Low — Alan Sparhawk and Mimi Parker's mastery of the 'slowcore' movement provided the template for his more recent atmospheric work. The way Low used silence as an instrument is mirrored in the sparse arrangements of Some Stranger. It’s about the tension in the gaps between the notes.
- Ennio Morricone — Danger has frequently referenced Morricone's scores for the way they build a physical sense of place. This cinematic approach dictates how he layers his own recordings, prioritizing the 'image' of the sound over traditional verse-chorus structure. It makes his music feel like it belongs to a specific, dusty landscape.
- Hot Cross — As label-mates and peers in the early 2000s post-hardcore scene, their technical but melodic approach to heavy music was a constant reference point. You can hear that influence in the intricate, clean guitar interludes that often break up the distortion in his heavier releases. It's the balance of the pretty and the ugly.
Discography
Their records — most-collected first.
Related artists
Members
Frequent collaborators
Around the web
Follow every record they touch.
Start your shelf and Gatefold tracks Daniel Danger's new pressings, tour dates, and the whole discography — automatically.
Start your shelf →Free forever. Works with 10 records or 10,000.