Artist

Blitzkrieg

Glendora

Blitzkrieg is a music group from Glendora. Their discography on Gatefold includes 4 records.

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Photo of Blitzkrieg

4

Albums tracked

7

In collections

—

Since

Biography

There are at least fifteen artists which have used this name 1. A heavy metal band from England 2. A black metal band from Sweden 3. A hardcore punk band from the United Kingdom 4. An anarcho-punk band from the Netherlands 5. A musical project from the Czech Republic 6. A progressive rock band from Germany 7. A punk band from Germany 8. A punk band from Serbia 9. A coldwave band from Poland 10. An EBM group from Chile 11. An rac band from Germany

The Arc of Blitzkrieg

The pivots — what forced Blitzkrieg to reinvent.

  1. The Neat Records Grind

    The band lived and died by the limitations of the Neat Records stable alongside bands like Venom and Raven. Working out of Impulse Studios in Wallsend, they were stuck with a low-budget, high-speed production style that defined the grainy, punchy sound of 1981. This era is defined entirely by the title track 'Blitzkrieg,' where the twin-guitar attack was sharpened by a DIY urgency that the polished major label metal acts of the time couldn't touch. It was lightning in a bottle that the label failed to capitalize on before the initial lineup splintered.

  2. The 1985 Resurrection

    After years of silence and Brian Ross doing a stint in Satan, the band reformed to finally record a full-length debut to satisfy the lingering hype. A Time of Changes was basically a document of five-year-old ideas finally getting a studio treatment, but the scene had moved on to thrash and speed metal by then. The record sounds like a relic from a previous war, keeping the mid-tempo gallop and melodic hooks alive while everyone else was trying to play at 200 beats per minute. It serves as the final statement of the original spirit before they became a revolving door of session players and brief reunions.

Influences

  • Black Sabbath — Brian Ross has explicitly cited the Birmingham quartet as the reason he wanted to sing heavy music. You hear it in the doom-laden tritone riffs and the lyrical obsession with dark, occult themes that permeate the early demos. It's the blueprint for the weight they tried to capture on tape.
  • Deep Purple — The band's penchant for high-register vocal theatrics and organized, melodic guitar harmonies comes straight from the Gillan/Blackmore era. The technical interplay on tracks like 'The Hell Kiss' mimics the structured chaos Purple brought to the early 70s. Without the Mark II lineup, the NWOBHM melodic sensibility doesn't exist.
  • Judas Priest — The twin-guitar harmonizing on 'A Time of Changes' is a direct descendant of the Tipton and Downing school of metal. Ross modeled his stage presence and leather-clad aesthetic after Rob Halford's late-70s transformation. It gave the Newcastle boys a sense of stadium-level theater even when they were playing pubs.
  • Budgie — The Welsh trio provided the blueprint for the jagged, unconventional riff structures that Blitzkrieg used to bridge the gap between hard rock and heavy metal. You can hear the influence in the bouncy, rhythmic swing of their faster tempos. They covered 'Stranded' early on, proving the DNA was there from the start.
  • Led Zeppelin — The band used Page’s production concepts of 'light and shade' to structure their longer, more epic compositions. While they stripped away the blues, they kept the dramatic shifts in dynamics and the heavy use of cymbals. It’s the foundation for the more ambitious, multi-part tracks that showed they weren't just a three-chord punk band with longer hair.

Discography

Their records — most-collected first.

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