Zuma

About

After the bleakness of the so-called Ditch Trilogy (<i>Time Fades Away</i>, <i>On the Beach</i>, <i>Tonight’s the Night</i>), <i>Zuma</i> rolls in like a breeze. The songs are simple, the arrangements direct, and the mood light even when the music gets heavy (“Danger Bird,” “Cortez the Killer”). None of the cynicism of <i>Tonight’s the Night</i> or price-of-fame angst of <i>On the Beach</i>—just four guys in a beach house, stoned. Guitarist Frank Sampedro, who’d only recently joined Crazy Horse, said he figured Young was making the songs easier because Sampedro had been having trouble playing them. Laugh: It’s funny. But it also affirms the argument in Young’s music that things don’t have to be polished to have feeling—and, if anything, that polish and complexity hide truths that simplicity and spontaneity reveal. .

via Apple Music

The Clerk says

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