Album
Tubeway Army
1978 · Electronic, Rock
13 collectors on Gatefold own this

Tubeway Army is an Electronic album by Tubeway Army, originally released in 1978. On Gatefold: 57 pressings tracked, owned by 13 collectors.
About
Tubeway Army is the debut album by Gary Numan and his band Tubeway Army, released in 1978. Its initial limited-edition run of 5000 (known unofficially as the Blue Album due to its coloured vinyl and cover) sold out but did not chart. When reissued in mid-1979, following the success of the follow-up Replicas (1979), the more commonly-known cover art featuring a stylised portrait of Numan was introduced. This release made number 14 in the UK album chart. Although only the band's debut, Tubeway Army has been seen as a transitional record, linking the punk flavour of early singles "That's Too Bad" and "Bombers" with the electronic music and science fiction imagery of Replica. The lead-in track, “Listen to the Sirens”, borrows its opening line from the Philip K. Dick novel Flow My Tear, The Policeman Said, whilst "Steel and You" contains references to androids ("Just my steel friend and me / I stand brave by his side"). These and a number of other tracks feature primitive synthesizer effect, the legacy of Numan chancing upon a Minimoog in the recording studio one day. Elsewhere the album’s lyrics generally inhabit a seedy world that has been compared to William Burrough, an author whose influence Numan has acknowledged. "Friends" concerns male prostitution. "Every Day I Die" is about teenage masturbation. "Jo the Waiter" references drug addiction. "The Life Machine" is told from the perspective of a comatose man on life support who can only "watch from somewhere as the loved ones come and go". Sonically the album ranges from hard rock with punk overtone, such as "My Shadow in Vain", "Friends" and "Are You Real?", through the post-punk of "Listen to the Sirens" and "The Dream Police", to the predominantly acoustic "Every Day I Die" and "Jo the Waiter". While the song "Steel and You" is a spirited re-write of "Return to Zanzibar" from the 1977 debut album by San Francisco sci-fi obsessives Chrome, other major influences cited for this album's overall sound include David Bowie (both 'Ziggy' and 'Berlin' eras), early Roxy Music and Brian Eno, Lou Reed and The Velvet Underground, and early Ultravox. .
via Last.fm
The Clerk says
The Clerk knows this whole record — the pressing quirks, the credits, the take.
Tracklist
- 1Listen to the Sirens3:05
- 2My Shadow in Vain2:59
- 3The Life Machine2:45
- 4Friends2:30
- 5Something's in the House4:14
- 6Every Day I Die2:24
- 7Steel and You4:44
- 8My Love Is a Liquid3:33
- 9Are You Real?3:25
- 10The Dream Police3:38
- 11Jo the Waiter2:41
- 12Zero Bars (Mr. Smith)3:12
- 13Positive Thinking (Live)2:56
- 14Boys (Live)2:13
- 15Blue Eyes (Live)2:03
- 16You Don't Know Me (Live)2:28
- 17My Shadow in Vain (Live)4:13
- 18Me My Head (Live)4:10
- 19That's Too Bad (Live)3:26
- 20Basic J (Live)3:03
- 21Do Your Best (Live)2:40
- 22Oh! Didn't I Say (Live)2:31
- 23I'm a Poseur (Live)2:30
- 24White Light, White Heat (Live)2:49
- 25Kill St. Joy (Live)3:46
Sound DNA
- Electronic
- Synth-Pop / New Wave
- synthetic
- detached
- nocturnal
Credits
The people behind it.
Performers
- Gary NumanGUITAR GUITAR , KEYBOARDS, VOCALS KEYBOARDS
- Jess LidyardDRUMS
- Paul GardinerBACKING VOCALS, BASS BASS, BACKING VOCALS
- Bob SimmondsDRUMS
13 collectors on Gatefold own this · 57 pressings tracked on Gatefold
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