Album
The Complete Blue Note 45 Sessions Of Ike Quebec
1988 · Jazz
3 collectors on Gatefold own this
The Complete Blue Note 45 Sessions Of Ike Quebec is a Jazz album by Ike Quebec, originally released in 1988. On Gatefold: 7 pressings tracked, owned by 3 collectors.
The Clerk says
The Clerk knows this whole record — the pressing quirks, the credits, the take.
Sound DNA
- Jazz
- Bebop & Hard Bop
- warm
- intimate
- smoky
"Later for the Rock" is the same composition as "Dear John" on LP and CD releases. On the 1987 Mosaic Records release of this material, writer Loren Schoenberg notes that the tune is the same. Blue Note's 45 rpm single of Dear John / Blue Monday (US 1959) (opens in a new tab) is presumably the same "Dear John" released on the LP and CD collections.
The 1959 recording "A Light Reprieve" in this collection is not the same composition as the 1961 "A Light Reprieve" recording on It Might As Well Be Spring.
It is possible, but not confirmed, that there is some kind of discographical mix-up of title information in the 1987 Mosaic edition that is reproduced in the 2005 Blue Note CD edition regarding "A Light Reprieve" and/or "Later for the Rock" / "Dear John".
Credits
The people behind it.
Performers
- Ike QuebecTENOR SAXOPHONE
- Earl Van DykeORGAN
- Ed SwanstonORGAN
- J.C. HeardDRUMS
- Lester JenkinsDRUMS
- Milt HintonBASS
- Sam JonesBASS
- Sir Charles ThompsonORGAN
- Skeeter BestGUITAR
- Sonny WellesleyBASS
- Wilbert HoganDRUMS
- Willie JonesGUITAR
3 collectors on Gatefold own this · 7 pressings tracked on Gatefold
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