So Far Gone

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Released in 2009, <i>So Far Gone</i> functions as a sort of Drake time capsule—an album that showcases the talent, verve, and tunefulness that would soon propel him to superstardom. Though only Drake’s third mixtape. <i>So Far Gone</i> allowed the avant-garde rapper to decisively and cohesively establish his identity as a genre-bending, vulnerable MC, one who would go on to inspire droves of artists—and, in doing so, launch an unprecedented era of hip-hop. The mixtape’s title dates back to a conversation between Drake and co-executive producer Oliver El-Khatib. While acknowledging the lack of respect for women they displayed during an earlier exchange, the pair reflected on getting caught in the mix—in other word, of becoming “so far gone.” The title was part warning, part prophecy—the bold statement of a young rapper foreshadowing his own astronomical ascent. Drake would need that confidence, as he faced plenty of skeptics in his early year. And he <i>did</i> have an unlikely backstory: Here was a half-Jewish Canadian former child actor, born Aubrey Graham, who believed he would become one of the world’s biggest rapper. But on <i>So Far Gone</i>, the striving rapper—working alongside longtime producer and sound architect Noah “40” Shebib—flawlessly displayed the multitude of below-the-surface facets that would propel his career forward. Drake draws on his father’s Houston roots on “Uptown” and the chopped-n-screwed “November 18th,” details his failed relationships on the atmospheric “Sooner Than Later,” and praises a grade A lover on the giddy “Best I Ever Had,” which would earn him multiple Grammy nominations and deliver Drake to the upper reaches of the pop chart. Meanwhile, even lesser-known tracks like “Little Bit” and “Let’s Call It Off” prove Drake’s versatility and undeniable star power. .

via Apple Music

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