Album

Shock Treatment

Don Ellis

1968 · Jazz

Rare pressing on Gatefold

Shock Treatment by Don Ellis

Shock Treatment is a Jazz album by Don Ellis, originally released in 1968. On Gatefold: 12 pressings tracked.

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Tracklist

Side A

  1. A1A New Kind Of Country4:10
  2. A2Mercy Maybe Mercy3:22
  3. A3Opus 58:05
  4. A4Beat Me, Daddy, Seven To The Bar3:03
  5. A5The Tihai7:16

Side B

  1. B1Milo's Theme4:26
  2. B2Star Children3:22
  3. B3Homecoming3:03
  4. B4Seven Up3:58
  5. B5Zim3:58

Sound DNA

  • Jazz
  • Jazz Fusion
  • layered
  • restless
  • cerebral

Columbia Records created confusion surrounding Shock Treatment by releasing multiple versions of the recording. Ellis attempted to clarify the situation by sending a letter to the “Chords and Discords” forum of Down Beat magazine immediately following the magazine’s review of the album:
“Regarding the review of my record Shock Treatment by Harvey Pekar (DB, Sept. 19), I would like to set the record straight on some little known facts in connection with this album. The copy that was reviewed was one about which I am embarrassed and not proud. The story behind this is as follows:
Upon completion of the album, I did the mixing and editing here in California and then sent the finished product to New York. It wasn’t until the album was already released that I heard a pressing. Much to my horror, I found that without consulting me the whole album had been changed around—rejected masters and unapproved takes were used (not the ones which I had selected and edited), the wrong tunes were on the album, unauthorized splices were made which disturbed the musical flow of some of the compositions (beats were even missing from bars), whole sections were cut out, some of these being the high points of the album. Therefore the liner notes, which were done to the original album, do not agree with what is actually on the album, calling attention to solos and high spots which are not there. I’m surprised that this wasn’t mentioned in the review! Also, the wrong personnel is listed on the jacket. When I discovered what had happened I was, naturally, disturbed and asked Columbia to redo the album. They graciously consented and I was able to change the album back to its original form except that I left Mercy Maybe Mercy, which my producer particularly liked, in place of Zim, which I hope will appear in a future album. Unfortunately, they were not able to call back all the thousands of albums which had already been released. However, they did send a note to the reviewers telling them that the copy which they had received was defective, and to please not review it until they received the corrected copy. It looks as if Down Beat didn’t get that letter. In conclusion, let me state that I have no quarrel with Harvey’s review, but I do wish that he or someone else would review the correct album.”

Credits

The people behind it.

Performers

  • Alan EstesPERCUSSION PERCUSSION, TIMBALES
  • Alan WeightTRUMPET
  • Bob HarmonTRUMPET
  • Carlos "Patato" ValdesBONGOS, CONGAS
  • Chino ValdesBONGOS, CONGAS CONGAS , BONGOS
  • Dave ParlatoBASS
  • David SanchezTROMBONE
  • Don EllisTRUMPET
  • Edward WarrenTRUMPET
  • Frank De La RosaBASS
  • Glenn StuartTRUMPET
  • Ira SchulmanTENOR SAXOPHONE, FLUTE, PICCOLO FLUTE, CLARINET
  • Jim FauntBASS
  • Joe LopesALTO SAXOPHONE, SOPRANO SAXOPHONE, FLUTE ALTO SAXOPHONE, SOPRANO SAXOPHONE, FLUTE, CLARINET
  • Joe PorcaroPERCUSSION , VIBRAPHONE
  • Joe RoccisanoALTO SAXOPHONE, SOPRANO SAXOPHONE, FLUTE
  • John MagruderBARITONE SAXOPHONE, FLUTE, CLARINET, BASS CLARINET BARITONE SAXOPHONE, FLUTE, CLARINET, CLARINET
  • Mark StevensPERCUSSION , TIMBALES, VIBRAPHONE PERCUSSION, TIMBALES, VIBRAPHONE

Rare pressing on Gatefold · 12 pressings tracked on Gatefold

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