Album

Praise God I'm Satisfied

Blind Willie Johnson

1977 · Blues, Folk, World, & Country

Praise God I'm Satisfied by Blind Willie Johnson

Praise God I'm Satisfied is a Blues album by Blind Willie Johnson, originally released in 1977. On Gatefold: 10 pressings tracked.

About

"Here we have almost half of the recorded output of the most important sanctified blues singer, the uncompromisingly intense singer/songwriter/slide guitarist Blind Willie Johnson. Like most street-corner singers, the Texas-based Johnson developed a unique sound you could no doubt have heard from blocks away. The bullfrog-like voice he preferred to use was rougher than sandpaper, though he could employ a gorgeous tenor when he chose to. Several of the songs he wrote became instant classics (""Nobody's Fault But Mine"" ""The Soul of a Man""), while others were later adopted by the folk revival (""If I Had My Way I'd Tear the Building Down""). His facility with the guitar was extraordinary, and is best heard on """"Dark Was the Night, Cold Was the Ground,"" a song that suggests a preacher's singing followed by a congregation answering back in song, all replicated on acoustic slide guitar accompanied by Willie's almost entirely wordless moaning-singing. Ry Cooder has suggested that it is ""the most soulful, transcendent piece of American music recorded in the 20th century.""

via Apple Music

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Tracklist

  1. 1Jesus Make Up My Dying Bed3:13
  2. 2Dark Was the Night - Cold Was the Ground3:20
  3. 3Praise God I'm Satisfied3:10
  4. 4Bye and Bye I'm Goin' To See the King2:53
  5. 5You're Gonna Need Somebody On Your Bond3:11
  6. 6When the War Was On3:01
  7. 7God Moves On the Water2:59
  8. 8I Know His Blood Can Make Me Whole3:04
  9. 9God Don't Never Change2:53
  10. 10The Rain Don't Fall On Me3:19
  11. 11Nobody's Fault But Mine3:10
  12. 12Keep Your Lamp Trimmed and Burning3:04
  13. 13Jesus Is Coming Soon3:12
  14. 14Mother's Children Have a Hard Time3:20

Sound DNA

  • Blues

Notes from the original pressing. Later editions may differ.

Red labels
A1, A2, B1, B4 and B7 recorded in 1927
B5 recorded and released in 1928
A3, A4, A6, A7 and B2 recorded in 1929
A5 and B3 recorded in 1930

Credits

The people behind it.

Performers

10 pressings tracked on Gatefold

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