Album
Otto Preminger's Anatomy Of A Murder (From The Sound Track Of The Motion Picture)
Duke Ellington And His Orchestra
1959 · Jazz, Stage & Screen
8 collectors on Gatefold own this

Otto Preminger's Anatomy Of A Murder (From The Sound Track Of The Motion Picture) is a Jazz album by Duke Ellington And His Orchestra, originally released in 1959. On Gatefold: 47 pressings tracked, owned by 8 collectors.
The Clerk says
The Clerk knows this whole record — the pressing quirks, the credits, the take.
Tracklist
Side A
- A1Main Title And Anatomy Of A Murder
- A2Flirtibird
- A3Way Early Subtone
- A4Hero To Zero
- A5Low Key Lightly
- A6Happy Anatomy
Side B
- B1Midnight Indigo
- B2Almost Cried
- B3Sunswept Sunday
- B4Grace Valse
- B5Happy Anatomy
- B6Haupé
- B7Upper And Outest
Sound DNA
- Jazz
- Big Band & Swing
- gritty
- menacing
- cinematic
Anatomy of a Murder is the soundtrack to the Columbia Pictures film of the same name, which was released July 2, 1959, and directed by Otto Preminger. The film is noteworthy for being one of the first films to extensively feature jazz in the musical score — the entire musical soundtrack was composed by Duke Ellington and Billy Strayhorn, and played by Ellington's orchestra. Several of the Ellington band's sidemen, notably Johnny Hodges, Paul Gonsalves, Harry Carney, Russell Procope and William "Cat" Anderson, are heard prominently throughout the film, and Ellington himself appears briefly as "Pie-Eye," the owner of a roadhouse where Paul Biegler (James Stewart) and Laura Manion (Lee Remick) have a confrontation.
Despite being heard "in bits and pieces," the score "contains some of his most evocative and eloquent music... and beckons with the alluring scent of a femme fatale." Including small pieces by Billy Strayhorn, film historians recognize it "as a landmark — the first significant Hollywood film music by African Americans comprising non-diegetic music, that is, music whose source is not visible or implied by action in the film, like an on-screen band." The score avoids cultural stereotypes that previously characterized jazz scores and "rejected a strict adherence to visuals in ways that presaged the New Wave cinema of the '60s."
The soundtrack, containing 13 tracks, was released in June 1959. A reissue CD was released on April 28, 1995, and reissued by Sony in a deluxe edition in 1999.
Recorded at Radio Recorders, Los Angeles, California, on May 29 and June 1 and 2, 1959. Cover artwork was designed by Saul Bass, depicting the abstract figure of a murder victim. The score won three Grammy Awards in 1959.
Credits
The people behind it.
Performers
- Billy StrayhornPIANO
- Britt WoodmanTROMBONE
- Cat AndersonTRUMPET FEATURING FEATURING, TRUMPET
- Clark TerryTRUMPET TRUMPET , FLUGELHORN FEATURING
- Duke EllingtonCELESTA, PIANO, COMPOSED BY
- Duke Ellington And His OrchestraORCHESTRA
- Gerald WilsonTRUMPET
- Harold BakerTRUMPET FEATURING FEATURING, TRUMPET
- Harry CarneyBARITONE SAXOPHONE CLARINET , ALTO SAXOPHONE , BARITONE SAXOPHONE FEATURING
- Jimmy HamiltonCLARINET CLARINET , TENOR SAXOPHONE TENOR SAXOPHONE
- Jimmy JohnsonDRUMS
- Jimmy WoodeBASS DOUBLE BASS
- John SandersTROMBONE
- Johnny HodgesALTO SAXOPHONE FEATURING FEATURING, SAXOPHONE
- Paul GonsalvesTENOR SAXOPHONE FEATURING FEATURING, TENOR SAXOPHONE
- Quentin JacksonTROMBONE
- Ray NanceTRUMPET TRUMPET , VIOLIN TRUMPET, VIOLIN
- Russell ProcopeALTO SAXOPHONE CLARINET , ALTO SAXOPHONE FEATURING
8 collectors on Gatefold own this · 47 pressings tracked on Gatefold
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