
Oasis is a Latin & Tropical album by J. Balvin & Bad Bunny, originally released in 2019. On Gatefold: 7 pressings tracked, owned by 3 collectors.
About
As if being two of the biggest and busiest artists working today wasn’t enough to make an album-length team-up between J Balvin and Bad Bunny a tricky project to pull off, there’s also the difference in the stars’ lifestyle. “I wake up at five in the morning,” Balvin tells Apple Music’s Zane Lowe, “and he goes to sleep at five in the morning. I’m ready to go to the gym and he’s ready to go to bed.” They are the odd couple of urban Latin music: Balvin, an experienced Colombian reggaetón singer who spent the last decade honoring and advancing the genre’s legacy; and Bunny, the flamboyant punk upstart who quickly made his name as one of the more unique acts in the trap en español scene. First teased on Ebro Darden’s Beats 1 show in 2018, the surprise joint album builds on the breakthrough moment of their contributions to Cardi B’s megahit “I Like It,” pushed along by a healthy dose of mutual admiration. “It was like, ‘We have to do something,’” Bad Bunny says of the urgency in the wake of the chart-topping bilingual smash. “A project hasn’t been done in the Latin market from two huge artists with two different style.” Their parallel lives in the tight-knit urbano scene initially brought them together, and while some of this material dates back to before they blew up, most of the album was completed before they both performed at Coachella in April 2019. As Balvin and Bunny originate from some of the most vibrant locales for Spanish-language music today—and with both representing their homelands proudly in their work—their union here on <i>OASIS</i> shines a brighter and deserving light on the flourishing urban Latin sound. The natural chemistry the pair shared on “I Like It” and 2017’s one-off single “Si Tu Novio Te Deja Sola” proves even more potent over the course of these eight new track. On “QUE PRETENDES,” Balvin slinks around the taut reggaetón groove as Bunny’s sung bar, by contrast, bounce against its structure. For the retro-nodding “MOJAITA,” their divergent flirty techniques merge into a gratifying mix that highlights the individuality of their personal and popular appeal. Emotions run high across the pointed verses traded on “ODIO,” buoyed by a breezy beat. “YO LE LLEGO” presents trap dosed with a piquant salsa tincture, while the booze-soaked “LA CANCIÓN” mingles jazzy touches around a muted dembow. .
via Apple Music
The Clerk says
The Clerk knows this whole record — the pressing quirks, the credits, the take.
Tracklist
- 1Mojaita3:07
- 2Yo Le Llego4:09
- 3Cuidao Por Ahí3:18
- 4Que Pretendes3:42
- 5La Canción4:02
- 6Un Peso4:37
- 7Odio4:30
- 8Como Un Bebé3:38
Sound DNA
- Latin & Tropical
- Latin Urban
- synthetic
- euphoric
- tropical
Credits
The people behind it.
Performers
- Marciano CanteroFEATURING
- Mr EaziFEATURING
3 collectors on Gatefold own this · 7 pressings tracked on Gatefold
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