Nothing Is Wrong

About

Nothing Is Wrong is the second studio album by American folk-rock band Dawe, released on June 7, 2011. It is the only Dawes album to feature keyboard player Alex Casnoff. Nothing Is Wrong received favorable reviews from many music critics and Metacritic gave it a Metascore of 80 out of 100, based on 14 review. Uncut placed it at number 39 on its list of the "Top 50 Albums of 2011." Andrew Leahey of Allmusic told that "those looking to rock out won’t find many headbanging opportunities here" because the album "works well as driving music, particularly if the scenery outside your windshield matches the sepia-toned music." At American Songwriter, Paula Carino found that the release "succeeds on its own term, and will appeal to fans of solid roots-rock songwriting." Steven Hyden of The A.V. Club affirmed that on the album "Dawes comes far, and appears to be only getting started." Beats per Minute's Johan Alm evoked that "beyond the band's development as musicians and the excellent production, the growth and increasingly personal nature of Taylor Goldsmith’s songwriting is what makes Nothing Is Wrong the success it i. " At Glide Magazine, Chris Calarco touched on that "with Nothing is Wrong's ability to fire poignant and lasting musical arrows straight from a heart of gold, Dawes signals they are here to stay." At The Independent, Andy Gill called this "a thoughtful, mature conclusion to an album that seems to summarize one of the more welcoming trends in American rock." The Line of Best Fit's Janne Oinonen alluded to how the album has "an apt title", which is because "the outcome is an album that sounds skilled and accomplished rather than truly inspired." Alan Shulman of No Ripcord said that he would not "hesitate to recommend this record to anybody", and stated that as a listener they "may not love it, but you’ll probably like it, and that’s enough." At Paste (magazine), Wyndham Wyeth proclaimed the release as being "something truly special." Chris Martins of Spin affirmed that even "though restlessness is the dominant lyrical theme here", yet the release "sounds familiar and comforting" at the same time. .

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