Machiavelli And The Four Seasons

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Shortly after performing at the grunge-centric Big Day Out 1994, TISM was a hit—and proceeded to beat its third record to death with a collective realization: After 12 years of being a rock band, the more traditional sound they’d established now associated the Melbourne septet with its popular evolution, which they found passé. Ever the reactionist, this sentiment drove the creative about-turn of 1995’s <i>Machiavelli and the Four Seasons</i>—and would inform the roughshod condemnation of rock ’n’ roll nostalgia that “Garbage” streaks towards on the back of a throbbing techno backbeat. A largely underground phenomenon prior to this album, TISM’s embrace of the era’s equally underground rave culture on <i>Machiavelli and the Four Seasons</i> ironically turned it into a household name. Gone were any prescient guitars on “Greg! The Stop Sign!!”’s deceptively upbeat concern for drunk driving—but what remained a constant throughout each track—and what would prove to be the nexus of TISM’s unlikely appeal no matter what genres it was straddling—was the band’s lyrical knack for turning outrageous proclamations into singable slices of satire. .

via Apple Music

The Clerk says

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