Album

L.A. Turnaround

Bert Jansch

1974 · Rock, Folk, World, & Country

4 collectors on Gatefold own this

L.A. Turnaround by Bert Jansch

L.A. Turnaround is a Rock album by Bert Jansch, originally released in 1974. On Gatefold: 16 pressings tracked, owned by 4 collectors.

About

In the early 1970s there were a few British guys like Ian Matthews, Terry Reid, and David Gilmour, who flirted with the California country-rock sound. Despite a title that suggested a similar sound, <i>L.A. Turnaround</i> found Bert Jansch staying true to the English folk style that he helped forge in Pentangle, but Monkees’ Michael Nesmith contributed some guitar parts and produced all but two songs here, importing some of the era’s best country rockers like Jesse Ed Davis, Byron Berline, and pedal steel prodigy Red Rhodes. The contrasting tones of Brit-folk and country-rock blended amazingly well and have aged even better. The aptly named “Fresh As a Sweet Sunday Morning” sounds beautifully breezy as Rhodes’ watery slide-guitar drips notes that fall lightly around Jansch’s characteristic style of acoustic finger picking. “Open Up The Watergate (Let The Sunshine In)” floats on a similarly sunny vibe, this time with Davis’ bluesy leads taking center stage. Even the gloomy theme in “Needle Of Death” can’t escape the luminous interplay between Rhodes and Jansch. Nesmith takes on lead guitar duties in “Stone Monkey,” giving the tune a back-porch jam vibe.

via Apple Music

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Tracklist

Side A

  1. A1Fresh As A Sweet Sunday Morning
  2. A2Chambertin
  3. A3One For Jo
  4. A4Travelling Man
  5. A5Open Up The Watergate (Let The Sunshine In)
  6. A6Stone Monkey

Side B

  1. B1Of Love And Lullaby
  2. B2Needle Of Death
  3. B3Lady Nothing
  4. B4There Comes A Time
  5. B5Cluck Old Hen
  6. B6The Blacksmith

Sound DNA

  • Rock
  • Folk Rock
  • stripped-back
  • melancholic
  • bohemian

Notes from the original pressing. Later editions may differ.

Ⓟ 1974
A2 & B3: Recorded at CBE Studios Paris.
All other titles: Recorded at: Luxford house, Sussex on the L.M.S. Mobile. And at: Sound City, Sepulveda, California.
Cut and polished by: George Peckham, The Master Room, London. A3 remixed: Danny Thompson, Island Studios, London.
Runouts are stamped, except for the cutting engineer's inscriptions, which are etched.

Credits

The people behind it.

Performers

4 collectors on Gatefold own this · 16 pressings tracked on Gatefold

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