
Kano is an Electronic album by Kano, originally released in 1980. On Gatefold: 22 pressings tracked.
About
“It feels quite sinister,” Kano tells Apple Music about the title of his exceptional sixth album, <i>Hoodies All Summer</i>. “But a hoodie’s also like a defense mechanism—a coat of armor, protection from the rain. It’s like we always get rained on but don’t worry, we’re resilient, we wear hoodies all summer. We’re prepared for whatever.” That description is fitting for 10 songs that tear down stereotypes and assumptions to reveal the humanity and bigger picture of life in London’s toughest quarter. On “Trouble” that means reflecting with nuance and empathy on the lives being lost to postcode wars and knife and gun crime. “People become so used to the fact that these situations happen that they are almost numb to it,” he say. “Young kids dying on the street—it gets to a point where it’s like you lose count, and you just move on really quickly and forget a person’s name two minutes after hearing about it.” Like 2016’s <i>Made in the Manor</i>, this is an album rooted in his experiences of living in East London. This time, though, the focus is less introspective, with Kano, as he say, “reversing the lens” toward the communities he grew up in. “I just wanted to speak about it in a way where it's like, ‘I understand, I get it.’ I'll get into the psyche of why people do what they do. It’s about remembering that these unfortunate situations come about because of circumstances that are out of the hands of people involved. Not everyone’s this gang-sign, picture-taking, hoodie-wearing gang member. That’s the way they put us across in the media. Ye, some people are involved in crime, and some people are <i>not</i>—they just live in these area, and it’s a fucked-up situation.” Kano’s at his poetic and potent best here. Lines such as “All our mothers worry when we touch the road/'Cause they know it’s touch-and-go whether we’re coming home” (“Trouble”) impact fast and deep, but he also spotlights hope amid hard time. “I feel like we’re resilient people and there’s always room for a smile and to celebrate the small win, and the big win,” he say. “That’s when you hear [tracks] like 'Pan-Fried' and 'Can't Hold We Down'—you can't hold us down, no matter what you do to u, you can't stop u. We’re a force, you can't stop us creatively. I want more for you: I’ve made it through, I want you to see what I’ve seen. It’s about everyone having the opportunity to see more, so they’ll want more, to feel like they are more.” .
via Apple Music
The Clerk says
The Clerk knows this whole record — the pressing quirks, the credits, the take.
Tracklist
- 1Free Years Later3:52
- 2Good Youtes Walk Amongst Evil4:25
- 3Trouble5:02
- 4Pan-Fried (feat. Kojo Funds)3:30
- 5Can't Hold We Down (feat. Popcaan)4:27
- 6Teardrops4:23
- 7Bang Down Your Door1:32
- 8Got My Brandy, Got My Beats (feat. Lil Silva)3:46
- 9Class of Deja (feat. D Double E & Ghetts)3:29
- 10SYM4:50
Sound DNA
- Electronic
Credits
The people behind it.
Performers
- Eloisa FranciaBACKING VOCALS
- KanoLEAD VOCALS BACKING VOCALS
- Lalla FranciaBACKING VOCALS
- Luciano NinzattiARRANGED BY, CONDUCTOR ARRANGED BY, CONDUCTOR, COMPOSED BY ARRANGED BY, GUITAR
- Pier MichelattiBASS
- Stefano PulgaARRANGED BY, CONDUCTOR ARRANGED BY, CONDUCTOR, COMPOSED BY ARRANGED BY, KEYBOARDS
- Tullio De PiscopoDRUMS
- 'Little' Barbie PulgaBACKING VOCALS
- Flaviano CuffariDRUMS
- Julius FarmerBASS
22 pressings tracked on Gatefold
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