I See A Darkness

About

<i>I See a Darkness</i> marked the debut of Will Oldham’s Bonnie “Prince” Billy nom de rock, which in the two decades since has become his primary moniker. Unceremonious in its sound, the album is a natural continuation of Oldham’s previous work as Palace Brothers and Palace Music—yet it was the most powerful and perfected realization of his songwriting to date. <i>I See a Darkness</i> was lauded by critic, fan, and, notably, many other artists; within a year of the album’s release, Johnny Cash would record a cover of the title track with Oldham singing backup, cementing his graduation from underground phenomenon to master of contemporary American songwriting. <i>Darkness</i> fused do-it-yourself indie rock and the American country folk-blues idiom with lyrics that are as spiritually raw as they are wry, all in a voice that was ragged, boyish, and tremulou. Drawing from the vintage work of Merle Haggard, The Louvin Brother, and modern R&B, the songs are mordant (“I See a Darkness”), eerie, corporeal, and sensual (“The scars of last year’s storm/Rest like maggots on my arm,” he sings on “A Minor Place”). The recurring, doomy theme of death’s inevitability is woven with lighter scenes of earthly connection: professions of love, of brotherly bond, by an invitation to get under someone’s dress (“Death to Everyone”). For all of the anxiousness and fear he voices on <i>Darkness</i>, Oldham got indie-rock songwriting out of its own head and lowered it down into the rest of the body with lyrics that were sometimes comically ribald (the itemized “buttock” of “Nomadic Revery [All Around]”) or explicitly sexual (“Knockturne”). .

via Apple Music

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