Album
Hypersonic Missiles
2019 · Rock, Pop
7 collectors on Gatefold own this

Hypersonic Missiles is an Alt/Indie album by Sam Fender, originally released in 2019. On Gatefold: 19 pressings tracked, owned by 7 collectors.
About
A few years before releasing this debut album, Sam Fender entered a period of personal turbulence that included being diagnosed with an illness serious enough to have him contemplating his mortality. “I wrote a lot of my best stuff in that place,” he tells Apple Music’s Zane Lowe. “It was just a mad time in my life. Some crazy things happened when I was about 20. It changed my perspective on everything.” One decision he reached was to stop writing songs for the wider world and concentrate on music that simply connected with <i>him</i>. “It was purely a selfish thing. It didn’t matter if I ever played them to anybody. And then it worked! You spend a lot of time looking outward, at everybody else, but you should stick to your gun, man.” While he’s learned to trust his instinct, his lyrical focus has remained outward. The people-watching and social conscience that ran through his early singles are expanded on <i>Hypersonic Missiles</i>, a chronicle of the everyday frustration, dream, and dramas of working-class towns such as the one he grew up in, North Shield, on England’s north-east coast. Prompted by the passing of a friend, “Dead Boys” examines male suicide and the reluctance in certain communities to talk about depression, while other subjects include abusive relationship, the patriarchy, one-night stand, and the politics of leaving a small town. The music moves between the title track’s full-blooded Springsteen-style rock, knottier indie (“Play God,” “That Sound”) and sparer folky moments (“Two People,” “Leave Fast”). Throughout, its urgency sits well with the emotionally charged lyric. “You can hear the desperation in [‘Play God’],” he say. “I’d come out of this mad place, my producer was going to quit [music], I was going to quit. It came from a time where I needed to prove myself: ‘I need to do something that’s going to cut through.’ Half of the album comes from that time, and you can tell because they’re all ‘Ahhhhhh!’ on the moon, singing like it’s your last day on Earth.” .
via Apple Music
The Clerk says
The Clerk knows this whole record — the pressing quirks, the credits, the take.
Tracklist
- 1Hypersonic Missiles3:57
- 2The Borders5:32
- 3White Privilege3:29
- 4Dead Boys3:23
- 5You're Not the Only One4:35
- 6Play God3:45
- 7That Sound3:25
- 8Saturday3:01
- 9Will We Talk?2:42
- 10Two People3:56
- 11Call Me Lover3:21
- 12Leave Fast3:44
- 13Use (Live)3:31
Sound DNA
- Alt/Indie
- Indie Rock
- shimmering
- anthemic
- heartland
Credits
The people behind it.
Performers
- Drew MichaelDRUMS BACKING VOCALS
- Joseph AtkinsonSYNTH, SOUND DESIGNER BACKING VOCALS PERCUSSION
- Sam FenderWRITTEN-BY, GUITAR, VOCALS WRITTEN-BY, PERFORMER WRITTEN-BY, PERFORMER, VOCALS, GUITAR
- Tom UngererBASS BACKING VOCALS
- A Festival A ParadeBACKING VOCALS
- Awsa BergstromBACKING VOCALS
- Bramwell BrontePERCUSSION PERCUSSION, PROGRAMMED BY PROGRAMMED BY
- Bryony JamesCELLO
- Craig ShardlowPERCUSSION
- Crystal WilliamsBACKING VOCALS
- Dean ThompsonBACKING VOCALS GUITAR PERCUSSION
- Ed SmithDRUMS
- Ellie StanfordVIOLIN
- Emma OwensVIOLA
- Heidi CurtisBACKING VOCALS
- Jack VasiliouBACKING VOCALS
- Jenny SachaVIOLIN
- John WaughSAXOPHONE
7 collectors on Gatefold own this · 19 pressings tracked on Gatefold
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