Album
Fanmail
1999 · Electronic, Hip Hop
14 collectors on Gatefold own this

Fanmail is a Soul & Funk album by TLC, originally released in 1999. On Gatefold: 75 pressings tracked, owned by 14 collectors.
About
It’s hard to fathom from this side of history, but the most groundbreaking girl group of the ’90s was <i>this close</i> to giving up in the span between 1994’s iconic <i>CrazySexyCool</i> and its long-awaited 1999 follow-up. The five years in between had been filled with label drama, Chapter 11 bankruptcy, and all sorts of internal turmoil (including Left Eye famously burning down her boyfriend Andre Rison’s house and checking in to rehab). In typically fearless fashion, the trio persevered; the result was <i>Fanmail</i>, an album that delivered some of R&B’s most timeless empowerment anthems and channeled the future with remarkable prescience. With its binary-code cover and narration from a wise android named Vic-E, there isn't a better snapshot of where things were headed around the turn of the millennium—the era of dial-up internet, <i>The Matrix</i>, and Y2K-bug paranoia. Back then, the internet offered unprecedented human connectivity, a brand-new way to be alone together. But TLC knew nothing was that easy, even as they reveled in the wild, wild west of the World Wide Web: “Just like you, I get lonely too,” T-Boz assured listeners on the title track, catching feelings over an unexpected email. (Ye, “big moods” existed back in ’99.) But for all its retrofuturism, parts of <i>Fanmail</i> are still just as resonant today: Is there a more enduring archetype than the guy in “No Scrubs” hanging out the passenger side of his best friend’s ride? And on the gently brutal “Unpretty,” the trio grapples with the impossibility of living up to societal beauty standard, a topic as depressingly relevant as ever in the Instagram age. That vulnerability remains one of TLC’s most endearing qualities: They were all about independence and confidence, but they never lied to you. .
via Apple Music
The Clerk says
The Clerk knows this whole record — the pressing quirks, the credits, the take.
Tracklist
- 1Fanmail3:59
- 2The Vic-E Interpretation - Interlude0:18
- 3Silly Ho4:15
- 4Whispering Playa - Interlude0:52
- 5No Scrubs3:39
- 6I'm Good At Being Bad5:39
- 7If They Knew4:04
- 8I Miss You So Much4:59
- 9Unpretty4:38
- 10My Life4:00
- 11Shout3:57
- 12Come On Down4:18
- 13Dear Lie5:10
- 14Communicate - Interlude0:51
- 15Lovesick3:51
- 16Automatic4:38
- 17Don't Pull Out On Me Yet4:33
Sound DNA
- Soul & Funk
- Contemporary R&B
- synthetic
- urban
- laid-back
Credits
The people behind it.
Performers
- Alex RichbourgDRUM PROGRAMMING
- Anthony RobersonTROMBONE
- BabyfaceACOUSTIC GUITAR ELECTRIC GUITAR KEYBOARDS, DRUM PROGRAMMING
- Carolyn PaigeVOCALS
- Cecil Thomas, JrBASS
- ChilliBACKING VOCALS
- Colin WolfeBASS
- Dallas AustinVOCALS
- Debra KillingsBACKING VOCALS BACKING VOCALS, BASS
- Greg PhillinganesELECTRIC ORGAN ORGAN PIANO
- Gregory HudspethSAXOPHONE
- Jerry LumpkinsKEYBOARDS
- Joi GilliamVOCALS
- KandiBACKING VOCALS
- Kandi BurrussBACKING VOCALS
- Kevin WalesVOCALS
- Koko WatkinsVOCALS
- LaMarquis JeffersonBASS
14 collectors on Gatefold own this · 75 pressings tracked on Gatefold
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