Album
Exposure
1979 · Electronic, Rock
12 collectors on Gatefold own this

Exposure is an Electronic album by Robert Fripp, originally released in 1979. On Gatefold: 78 pressings tracked, owned by 12 collectors.
About
Exposure is the debut solo album by guitarist and composer Robert Fripp. Unique among Fripp solo projects for its focus on the pop song format, it grew out of his previous collaborations with David Bowie, Peter Gabriel, and Daryl Hall, and the latter two singers appear on the album. Released in 1979, it peaked at No. 79 on the Billboard Album Chart. Most of the lyrics were provided by the poet and lyricist Joanna Walton, who was later killed on Pan Am Flight 103. After terminating the first run of King Crimson in 1974, studying at the International Academy for Continuous Education through 1975-1976 and assisting Peter Gabriel in both studio and stage capacitie, Fripp moved in 1977 to the Hell's Kitchen neighbourhood of New York City. New York was then a centre of punk rock and what would come to be known as new wave, and Fripp became part of the scene, playing and recording with Blondie and the Roche sister, absorbing the sounds of the active downtown music scene. He envisioned a new approach, and incorporated elements of these NYC experiences into his current palette, including "Frippertronics", the tape-delay/looping technique he had developed with Brian Eno. At Eno's invitation, Fripp performed on David Bowie's "Heroes" single and album in 1977. Originally, Fripp envisioned Exposure as the third part of a simultaneous trilogy also comprising Daryl Hall's Sacred Songs and Peter Gabriel's second album aka Scratch, both of which Fripp contributed to and produced. Fripp's aim with the trilogy "was to investigate the 'pop song' as a means of expression. I think it's an incredibly good way of putting forward idea. I think it's a supreme discipline to know that you have three to four minutes to get together all your lost emotions and find words of one syllable or less to put forward all your idea. It's a discipline of form that I don't think is cheap or shoddy". The album was to be originally titled The Last Great New York Heartthrob and feature a track list configuration different from that of the final release. Hall's management and label resisted the project, fearing the music would damage Hall's commercial appeal, insisting as well that Exposure be equally credited to Hall, initially Fripp's main vocalist. Fripp instead used only two Hall vocals on his album, substituting Peter Hammill and Terre Roche in various place. The trilogy did not work out as intended, although all the albums were released. "Urban Landscape" appears on the Hall album, as does "NYCNY" ("I May Not Have Had Enough of Me but I've Had Enough of You", with different lyrics written by Hall). The Gabriel record also features a version of "Exposure". "Here Comes the Flood" had previously appeared with a prog-rock arrangement on Gabriel's first album, but Gabriel disliked the production, and created a simpler rendition of the song for Exposure. Fripp stated in the liner notes that Exposure "is indebted to all those who took part in the hazardous series of events culminating in this record, and several who do not appear but who helped determine the final shape: Tim Cappella, Alirio Lima, Ian McDonald and John Wetton". The version of the album that was released, after the changes and compromises that had to be made, was reconceptualized as part of a new trilogy, "The Drive to 1981", marking the beginning of three-year campaigns by Fripp as a professional musician, which would include an album of Frippertronics and one of "Discotronics", to be released between September 1979 and September 1980. Both album concepts were released together as God Save the Queen/Under Heavy Manner, with each concept getting its own followup-The League of Gentlemen for Discotronics and Let the Power Fall for Frippertronic, making for a five-step trilogy. The end of The Drive to 1981 marked the beginning of "the incline to 1984", Fripp's tenure with a reformed King Crimson, originally intended as Discipline. Fripp's tour to support Exposure was strictly a solo tour, utilizing only his own electric guitar and Frippertronic, and included then unorthodox rock music venues such as restaurants and retail outlet. .
via Last.fm
The Clerk says
The Clerk knows this whole record — the pressing quirks, the credits, the take.
Tracklist
- 1Preface (First Edition: Original 1979 Release)1:15
- 2You Burn Me up I'm a Cigarette (First Edition: Original 1979 Release)2:23
- 3Breathless (First Edition: Original 1979 Release)4:45
- 4Disengage (First Edition: Original 1979 Release)2:46
- 5North Star (First Edition: Original 1979 Release)3:06
- 6Chicago (First Edition: Original 1979 Release)2:12
- 7Ny3 (First Edition: Original 1979 Release)2:24
- 8Mary (First Edition: Original 1979 Release)2:08
- 9Exposure (First Edition: Original 1979 Release)4:26
- 10Hāaden Two (First Edition: Original 1979 Release)2:53
- 11Urban Landscape (First Edition: Original 1979 Release)2:34
- 12I May Not Have Had Enough of Me but I've Had Enough of You (First Edition: Original 1979 Release)3:44
- 13First Inaugural Address to the I.A.C.E. Sherborne House (First Edition: Original 1979 Release)0:04
- 14Water Music I (First Edition: Original 1979 Release)1:27
- 15Here Comes the Flood (First Edition: Original 1979 Release)4:07
- 16Water Music II (First Edition: Original 1979 Release)4:28
- 17Postscript (First Edition: Original 1979 Release)0:37
- 2.1Preface (Third Edition)1:15
- 2.2You Burn Me up I'm a Cigarette (Third Edition)2:24
- 2.3Breathless (Third Edition)4:42
- 2.4Disengage II (Third Edition)2:43
- 2.5North Star (Third Edition)3:12
- 2.6Chicago (Third Edition)2:17
- 2.7New York, New York, New York (Third Edition)2:17
- 2.8Mary (Third Edition)2:08
- 2.9Exposure (Third Edition)4:25
- 2.10Hāaden Two (Third Edition)1:57
- 2.11Urban Landscape (Third Edition)2:34
- 2.12I May Not Have Had Enough of Me, but I've Had Enough of You (Third Edition)3:37
- 2.13First Inaugural Address to the I.A.C.E. Sherborne House (Third Edition)0:07
- 2.14Water Music I (Third Edition)1:18
- 2.15Here Comes the Flood (Third Edition)3:55
- 2.16Water Music II (Third Edition)3:53
- 2.17Postscript (Third Edition)0:55
- 2.18Exposure (Alternative Take)4:28
- 2.19Mary (Alternative Take)2:06
- 2.20Disengage (Alternative Take)2:49
- 2.21Chicago (Alternative Take)2:02
- 2.22Ny3 (Alternative Take)2:15
Sound DNA
- Electronic
- Ambient & Downtempo
- angular
- intense
- cerebral
Credits
The people behind it.
Performers
- Barry AndrewsFEATURING ORGAN
- Brian EnoFEATURING SYNTHESIZER
- Daryl HallFEATURING LEAD VOCALS PIANO
- Edie FrippFEATURING
- Evelyn HarrisFEATURING
- Jerry MarottaFEATURING DRUMS
- John G. BennettFEATURING
- Narada Michael WaldenFEATURING DRUMS
- Peter GabrielFEATURING VOCALS , PIANO , WORDS BY VOCALS, PIANO
- Peter HammillFEATURING VOCAL PERCUSSION VOCALS
- Phil CollinsFEATURING DRUMS
- Robert FrippFEATURING GUITAR, ELECTRONICS GUITAR
- Shivapuri BabaFEATURING
- Sid McGinnisFEATURING GUITAR PEDAL STEEL GUITAR
- Terre RocheFEATURING LEAD VOCALS VOCALS
- Tony LevinFEATURING BASS BASS GUITAR
- Joanna WaltonBACKING VOCALS
12 collectors on Gatefold own this · 78 pressings tracked on Gatefold
Start your shelf.
Track your pressings of Exposure, get the Clerk's take, and see what the record is worth — free.
Start your shelf →Free forever. Works with 10 records or 10,000.
