Diorama

About

In the lead-up to writing Silverchair’s fourth album, <i>Diorama</i>, frontman Daniel Johns stopped taking the antidepressant medication he’d been on for the previous two and a half year. Without it, he started experiencing the deep lows and intense highs the medication had leveled out, and it’s that spectrum of emotions that informs <i>Diorama</i>, with Johns determined to capture it all. While 1999 predecessor <i>Neon Ballroom</i> had flirted with musical progression, <i>Diorama</i> saw Johns shaking off the shackles of expectation, creating an album that once and for all severed ties with the band’s grunge past. Having drawn on the grim reality of his mental health on <i>Neon Ballroom</i>, here he became fixated on fantasy and escapism, nowhere more so than on opener “Across the Night.” A song about being in love with falling asleep because you go to a new world every time you dream, musically it mirrors that sense of wonder via lavish orchestration, all arranged by former Beach Boys collaborator Van Dyke Park. Never before had Silverchair sounded so alive, so spirited, and so joyful. “Tuna in the Brine” similarly feels plucked from a musical rather than a rock album. Over string, bra, and woodwind swirling dramatically around John, he sings about hiding his feelings from the outside world: “The light in my darkest hour is fear/Denies me of anything good.” Still, the musical grandeur carries an air of optimism. Even the most relatively straightforward songs—the anthemic power ballad “Without You,” the fragile “World Upon Your Shoulder,” and the dreamlike “My Favourite Thing”—carry a sense of fantasy. .

via Apple Music

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