Ayo

About

After amassing a significant UK and African fanbase in the wake of his acclaimed 2011 debut <i>Superstar</i>, Wizkid’s international profile began to rise in earnest. He toured the U.S., garnered industry co-sign, and began to prepare his next project, working with a varied collection of pop and hip-hop talent. The eventual product of his efforts—his 2014 sophomore album, <i>Ayo</i>—feels more indebted to West African musical tradition than its predecessor. <i>Ayo</i> was Wizkid’s first proper primer in his seductive, pop-forward distinctive brand of Afrobeats—the kind that went on to make him a marquee star on any continent. The track that kicked off this ascent, at least in North America, is “Ojuelegba,” a tribute to Wiz’s upbringing in Lago, featuring an bouncy and dense rhythm track citing Yoruban music and pirouetting synth-horn counterpoint. The hook was undeniable; the feel totally singular. Drake and Skepta’s remix the following summer would introduce Wizkid to a whole new listenership. Many of <i>Ayo</i>’s standout moments find the singer and rapper addressing his hometown roots directly. Lead single and opener “Jaiye Jaiye” features a prestigious turn from Femi Kuti, a member of one of African music’s true royal familie. The saxophonist’s fierce and soulful playing mingles with the thicket of synths as Wiz sings triumphantly about overcoming adversity and creating a better life for himself and his family. .

via Apple Music

The Clerk says

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