
Aura is a Jazz album by Miles Davis, originally released in 1989. On Gatefold: 49 pressings tracked, owned by 5 collectors.
About
Miles' last recording for the Columbia label before heading for the financial allure of Warner Bros. in the mid-'80s was not released until 1989. This critic's guess is because largely they had no idea what to do with it. Unlike anything else in his catalog, Aura is a ten-part suite composed by Danish flügelhornist Palle Mikkelborg as a tribute. Influenced deeply by serialism and the inspiration of Gil Evans, Mikkelborg composed a theme from ten notes based on the letters of Davis' first and last names. The notes yielded a chord, which led him through the work. Employing a full orchestra and the guitar talents of former Davis collaborator John McLaughlin and famed European bassist Niels-Henning Ørsted Pedersen, Aura's sections are named for the color spectrum, with the addition of white and "electric red." The music is an amalgam of classical impressionism, European new music, jazz, rock, electronic, and other genres. As a tribute and separate orchestral work, it's quite moving and beautiful, full of moody interludes and evocations of nuance, color, texture, and dynamic. With Davis added, soloing in his trademark muted, rounded warmth, the music becomes almost breathtaking. The Gil Evans influence is everywhere apparent in the way strings segue into keyboards and float there until the trumpet or wind section comes for them and brings them home. It's easy to be cynical about a work like this, and call it a pastiche of Miles clichés. Far harder is it to place the entirety of Davis' career in one place and hear it expressed with so much warmth and elegance, because that career was so mercurial. Mikkelborg gave Miles a fine parting gift when he left Columbia, and listeners are so very fortunate for his generosity. Credits Bob Belden -- Reissue Producer Palle Bolvig -- Flugelhorn, Trumpet Khephra Burns -- Liner Notes Per Carsten -- Saxophone, Woodwind Thomas Clausen -- Keyboards Miles Davis -- Trumpet Stacy Drummond -- Art Direction Niels Eje -- Cor Anglais, Cornet, Oboe Jens Engel -- Trombone Howard Fritzson -- Reissue Art Director Lennart Gruvstedt -- Drums Ole Kock Hansen -- Keyboards John Jackson - Reissue Assistant Bent Jaedig -- Saxophone, Woodwind Ole Kurt Jensen -- Trombone (Bass) Uffe Karskov -- Saxophone, Woodwind Kenneth Knudsen -- Keyboards Perry Knudsen -- Flugelhorn, Trumpet Gilles Larrain -- Photography Ture Larsen -- Trombone Flemming Madsen -- Saxophone, Woodwind Randall Martin -- Reissue Design Marilyn Mazur -- Percussion John McLaughlin -- Guitar Rosa Menkes -- Reissue Design Palle Mikkelborg -- Composer, Flugelhorn, Producer, Trumpet Vincent Nilsson -- Trombone Niels-Henning Ørsted Pedersen -- Bass Rune Persson -- Mastering Darcy Proper -- Mastering Benny Rosenfeld -- Flugelhorn, Trumpet Seth Rothstein -- Project Director Bjarne Roup -- Guitar Bo Stief -- Bass, Fretless Bass Idrees Sulieman -- Flugelhorn, Trumpet Eva Thaysen -- Vocals Jesper Thilo -- Saxophone, Woodwind Lillian Thornquist -- Harp Ethan Weisgaard -- Percussion Vince Wilburn, Jr. -- Drums (Electric), Electronic Drums Axel Windfel -- Bass, Trombone, Trombone (Bass), Tuba Jens Winther -- Flugelhorn, Trumpet Recorded at Easy Sound Studios, Copenhagen, Denmark in 1984.
via Last.fm
The Clerk says
The Clerk knows this whole record — the pressing quirks, the credits, the take.
Tracklist
Side A
- A1Intro4:26
- A2White6:02
- A3Yellow6:45
Side B
- B1Orange8:32
- B2Red6:03
Side C
- C1Green8:10
- C2Blue6:33
- C3Electric Red4:16
Side D
- D1Indigo5:58
- D2Violet9:01
Sound DNA
- Jazz
- Jazz Fusion
- synthetic
- meditative
- cinematic
Release Date: 1989
Recording Period: Jan 1985
Label: Columbia Records
Miles Davis, Trumpet
Palle Mikkelborg, Composer, Flugelhorn, Producer, Trumpet
John McLaughlin, Electric Guitar
Vince Wilburn, Jr., Drums
Marilyn Mazur, Percussion
Benny Rosenfeld, Flugelhorn, Trumpet
Palle Bolvig, Flugelhorn, Trumpet
Jens Winther, Flugelhorn, Trumpet
Jens Engel, Trombone
Ole Kurt Jensen, Bass Trombone
Perry Knudsen, Flugelhorn, Trumpet
Idrees Sulieman, Flugelhorn, Trumpet
Vincent Nilsson, Trombone
Ture Larsen, Trombone
Axel Windfeld, Bass Trombone, Tuba
Jesper Thilo, Flute, Reeds
Per Carsten, Flute, Reeds
Uffe Karskov, Flute, Reeds
Bent Jaedig, Flute, Reeds
Flemming Madsen, Flute, Reeds
Niels Eje, English Horn, Oboe
Bjarne Roupee, Electric Guitar
Lilian Thornquist, Harp
Thomas Clausen, Keyboards, Piano
Ole Koch-Hansen, Keyboards
Kenneth Knudsen, Keyboards
Bo Stief, Electric Bass
Niels-Henning Orsted Pedersen, Bass
Lennart Gruvstedt, Drums
Ethan Weisgaard, Percussion
Eva Hess-Thaysen, Vocals
32nd Annual GRAMMY Awards, Feb 21, 1990
Won Best Jazz Instrumental Performance, Soloist (On A Jazz Recording)
Won Best Jazz Instrumental Performance, Big Band
Aura is a concept album by Miles Davis, produced by Palle Mikkelborg. All compositions and arrangements are by Danish composer/trumpeter Palle Mikkelborg, who created the suite in tribute to Miles Davis when Davis received the Léonie Sonning Music Prize in December 1984, the year Decoy was released.
The main theme consists of 10 notes, yielded by the letters "M-I-L-E-S-D-A-V-I-S" (see "BACH motif", and Schoenberg hexachord "EsCHBEG"). It is introduced at the beginning over a sustained chord of these same notes. The following 9 movements of the suite represent the colours Mikkelborg sees in Miles's aura.
The music is scored for an extended jazz big band, and the core of the band is formed by the Danish Radio's Big Band, featuring Niels-Henning Ørsted Pedersen, Thomas Clausen and Marilyn Mazur. Notable international guests such as John McLaughlin and Davis' nephew Vince Wilburn are featured during the recordings. They took place in Copenhagen in 1985 at Davis' own initiative, as he had been very honored and satisfied with the suite. It was the first time Miles Davis recorded with a big band for over 20 years. Aura, however, is not a conventional big band jazz album. The music is perhaps best categorized as fusion jazz with a strong flavor of modern classical music, as many of the orchestral passages reveal Mikkelborg's inspiration from composers like Olivier Messiaen and Charles Ives.
Although the album was recorded at Easy Sound Studios in Copenhagen in 1985, contractual issues delayed its release until 1989. The album won a Grammy Award in 1990 for Best Jazz Instrumental Performance.
Credits
The people behind it.
Performers
- Axel WindfeldBASS TROMBONE BASS TROMBONE, TUBA BASS TUBA, BASS TROMBONE
- Benny RosenfeldTRUMPET, FLUGELHORN
- Bent JædigSAXOPHONE, OTHER SAXOPHONE, WOODWIND
- Bjarne RoupéGUITAR
- Bo StiefBASS BASS , FRETLESS BASS ELECTRIC BASS , FRETLESS BASS
- Ethan WeisgardPERCUSSION
- Eva Hess ThaysenVOCALS
- Flemming MadsenSAXOPHONE, OTHER SAXOPHONE, WOODWIND
- Idrees SuliemanTRUMPET, FLUGELHORN
- Jens EngelTROMBONE
- Jens WintherTRUMPET, FLUGELHORN
- Jesper ThiloSAXOPHONE, OTHER SAXOPHONE, WOODWIND
- John McLaughlinGUITAR GUITAR, SOLOIST SOLOIST, GUITAR
- Kenneth KnudsenKEYBOARDS
- Lennart GruvstedtDRUMS
- Lillian TbernqvistHARP
- Lillian TörnqvistHARP
- Marilyn MazurPERCUSSION
5 collectors on Gatefold own this · 49 pressings tracked on Gatefold
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