Accelerate

About

With 2004’s <i>Around the Sun</i>, R.E.M. took it on the chin: Fans didn’t buy it, radio didn’t play it, critics didn’t like it. The band members were smart enough to recognize that the album had been too slow-paced and meandering, and they set out to correct their course. The first sound you hear on <i>Accelerate</i>, released in 2008, is Peter Buck’s distorted electric guitar, followed soon by a headlong tempo from bassist Mike Mills and drummer Bill Rieflin, and then a tumble of singer Michael Stipe’s pissed-off lyric. The album keeps up that tone and fast pace for several song, with Mills adding lively vocal countermelodies—a trademark R.E.M. touch the band had abandoned on previous album. The song lengths tell the story—11 tunes in just 34 minute. It’s an ancient punk rock idea: Rid your music of any exce. The album lives up to its title. Stipe was known for taking an indirect route with his lyric, whether they were about love or politic, but he comes closer than he did previously to specifying why he’s angry: “The business-first Flat Earthers licking their wounds/The verdict is dire, the country’s in ruin,” he sings in “Until the Day is Done,” an acoustic, midtempo track that hisses softly at the protracted Iraq War, President George W. Bush, and the way money and religion steer politic. The acidic tone of his words brought out his most engaged performances in year. In spot, he’s even funny, as in “Living Well is the Best Revenge,” where he rhymes “apostles” with “nostril.” Mills is back to being R.E.M.’s secret weapon: He plays a high-pitched organ accent on the rampaging “Man-Sized Wreath,” and contributes prominent backing vocals—"How you cried and you cried"—on “Supernatural Superseriou,” a song about adolescent embarrassment. His keyboards make “Houston” feel more alarming; it’s a trick he repeats on the thick-riffed rocker “Accelerate,” where his bass runs uplift the song. .

via Apple Music

The Clerk says

Start your shelf to read the full take →