Abacab

About

Abacab is the eleventh studio album by Genesis, released in 1981. The album marks a sharp stylistic jump, begun by the band on its preceding album Duke, away from their progressive rock style of the 1970s and toward a radio-friendly pop music sound. As such, "Abacab" is still viewed today with mixed opinions from both fans and critics. But the bandmembers say that the change in musical direction, beginning with 1980's "Duke" and continued with "Abacab," was necessary for the band's survival in the changing musical climate they found themselves in. Despite the change, songs like the title track, "No Reply At All", "Keep It Dark" and "Man on the Corner" were all respectable hit singles. And while Abacab may have cost Genesis some fans, they earned many others, with the album hitting UK #1 and US #7, selling several million copies worldwide and becoming the band's first Platinum selling album in the US. Another element of Abacab is drummer Phil Collins's more 80s approach of his drum sound, involving reverberation, noise gates and compression in order to achieve a loud and authoritative percussive effect. This continued a trend Collins developed along with engineer Hugh Padgham on his solo hit single "In the Air Tonight", as well as the piece "Intruder" from former bandmate Peter Gabriel's third album. In addition to pounding rock, Abacab incorporates upbeat, accessible music - an increasingly important element in Genesis's style at the time. "No Reply At All" features the Earth, Wind & Fire horn section (as did Collins' solo album Face Value earlier in 1981), and even "Dodo/Lurker," whose adventurous lyrics recall traditional Genesis, features a funky rhythm, propelled by Tony Banks's keyboards. After years of using outside record producers, Genesis produced Abacab solely by themselves, while limiting further than before the number of solo compositions in favor of the group-written pieces. They also had the expertise of engineer Hugh Padgham, who assisted Collins on Face Value and would continue to work on Genesis and Collins recordings through the end of the decade. The album takes its name from an early arrangement of the musical parts that make up the title track. Guitarist Mike Rutherford said on the US radio show In the Studio with Redbeard (which spotlighted Duke and Abacab in one episode): "There were three bits of music in Abacab, and we referred to them as 'section a', 'section b', and 'section c'... and at different times, they were in different order. We'd start with 'section a' and then have 'section c'... and at one point in time, it spelled Abacab. On the final version, it's not that at all, it's like 'Accaabbaac'." Due to its daring shift in style, Abacab is generally considered one of Genesis' most important releases, and was a springboard for future hit albums Genesis and Invisible Touch.

via Last.fm